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Andrzej Korzyński
Third Part Of The Night (Trzecia część nocy)

rock
Finders Keepers, 2023

aver. mark: -    mark it!

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shipping costs


vinyl:40,35€
Out of stock
availability: about a month ?
cat. no: FKR063X
EAN: 5060099507953
format : 10"LP
number of discs : 1
packaging : singlefold


no. title play mp3
1 Czolowica
2 Tango
3 Winstyucie
4 Dworek
5 Na Strychu
6 Lapanka
7 Szpital
8 Szpital Part 2
10 Czolowica (Reprise)
  Free mp3:
Czolowica
Na strychu
Czolowica (Reprise)


  let me know when samples will be available
  tell to your friend

 



https://youtu.be/vqRneR_qHYQ?si=ED9WakhZgabyUYE4
https://youtu.be/kr8NE162p-k?si=MbQQsBSkK2R0Jc5a

Finders Keepers prezentuje ścieżkę dźwiękową autorstwa Andrzeja Korzyńskiego do filmu Żuławskiego 'Trzecia część nocy'. Limitowany 10-calowy winyl.

Info wydawcy:

"As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Zulawski's 1971 film Third Part Of The Night not only earned the 30 year old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzynski, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanki/Komeda, Fellini/Rota and Argento/Goblin, amongst others.

Quite simply one of the heaviest psych rock film soundtracks of all time Andrzej Korzynski's short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, Francois De Roubaix and Alain Gourageur, creating a soundtrack that unknowingly begs comparison to Masahiko Satô's Belladonna Of Sadness and Billy Green's Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar and later Arplife (and composing for national heroes such as Czeslaw Niemen, Niebiesko-Czarni and Test) Korzynski’s growing passion for conceptual rock and jazz music soon lead to instrumental composition and soundtrack scores.

His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa ABC) also provided Korzynski with another significant cinematic muse in that of the stunning actress Malgorzata Braunek with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Zulawski. Third Part Of The Ni
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