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Andre Williams
That's All I Need

blues/ rock
Bloodshot, 2010

total time: 41:00

aver. mark: -    mark it!

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CD:14,95€
Out of stock
availability: about a month ?
cat. no: BS171
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 My Time Will Come
2 America
3 Just Call Me
4 Tricks
5 When Love Shoots You In The Foot
6 That's All I Need
7 Cigarettes And My Old Lady
8 There Ain't No Such Thing
9 Too Light To Fight
10 Amends


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"Williams was rapping in his laid-back hipster style long before there was rap - he was the consummate ultra-cool sharp-dressed slick and sleazy soulman... his latest may be some of his best work ever. That's All I Need is a cool blend of psych, soul, funk, and rock, proving that Williams may be getting older, but he's not mellowing with age." —Jambands.com

"That's All I Need opens up all kinds of new avenues of expression for Williams. The guy has done as much living as any five or six people randomly combined, and it shows." —Tucson Weekly

He’s a chameleon, a survivor and a hustler. He’s the fox AND the hound.

For That’s All I Need, Andre went back home to Detroit to cut a record of psychedelic soul and growling 4am slow jams with a solid rock and roll backbone. It’s a stone cold look back to a time when that city was messing around where the waters of rock and funk met, acid trips and Stroh’s benders going hand in hand.

Helping Andre out with the cause is a slinky lineup of Detroit’s best genre-bending players, including members of the Dirtbombs, the Witches, the Sights, Electric Six, as well as producer/guitarist/arranger Matthew Smith (Nathaniel Mayer, Outrageous Cherry, Volebeats). Lending a hand for several tracks is legendary guitarist Dennis Coffey, member of the Motown house band the Funk Brothers, and contributor to nearly every Detroit recording session from the mid-50s through the late-70s. He even had a million selling instrumental with “Scorpio” in 1971.

That’s All I Need IS all you need to get the mood set to Good Times wherever ladies and smooth gents might want to mingle. From the hypnotic groove of “Tricks” and lazy psychedelic soul of “My Time Will Come” and “Too Light To
Fight,” to the rock-soul amalgam freakouts (with that out there Coffey guitar) of “Just C
.......
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Amerykańska legenda rhythm'n'bluesa, soulu i funku w natarciu!
Andre Williams, znany również jako "Black Godfather" nie należy do najmłodszej generacji muzyków amerykańskich, bywa porównywany z Jamesem Brownem i Screaming jay Hawkinsem, współpracował min. z Stevie Wonderem, Ike & Tina Turner, Parliament, Funkadelic, Edwin Starr, Jon Spencer Blues Explosion, Dirtbombs czy nawet z Jackiem White'em.

"Williams was rapping in his laid-back hipster style long before there was rap - he was the consummate ultra-cool sharp-dressed slick and sleazy soulman... his latest may be some of his best work ever. That's All I Need is a cool blend of psych, soul, funk, and rock, proving that Williams may be getting older, but he's not mellowing with age." —Jambands.com

"That's All I Need opens up all kinds of new avenues of expression for Williams. The guy has done as much living as any five or six people randomly combined, and it shows." —Tucson Weekly

He’s a chameleon, a survivor and a hustler. He’s the fox AND the hound.

For That’s All I Need, Andre went back home to Detroit to cut a record of psychedelic soul and growling 4am slow jams with a solid rock and roll backbone. It’s a stone cold look back to a time when that city was messing around where the waters of rock and funk met, acid trips and Stroh’s benders going hand in hand.

Helping Andre out with the cause is a slinky lineup of Detroit’s best genre-bending players, including members of the Dirtbombs, the Witches, the Sights, Electric Six, as well as producer/guitarist/arranger Matthew Smith (Nathaniel Mayer, Outrageous Cherry, Volebeats). Lending a hand for several tracks is legendary guitarist Dennis Coffey, member of the Motown house band the Funk Brothers, and contributor to nearly every Detroit recording session from the mid-50s through the late-70s. He even had a million selling instrumental
.......
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