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Tamikrest
Tamotait

blues/ folk/ethno/ postrock
Glitterbeat, 2020

total time: 41:22

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CD:12,92€
in stock
cat. no: GBCD091
EAN: 4030433609125
format : CD
number of discs : 1
packaging : ecopack
vinyl:18,66€
availability:
2 weeks
cat. no: GBLP091
EAN: 4030433609118
colour : black
download code : yes
format : 12"LP
number of discs : 1
packaging : gatefold
weight : 180 gramm
 


no. title play mp3
1 Awnafin 04:08
2 Azawad 04:01
3 Amzagh 04:18
4 Amidinin Tad Adouniya 03:54
5 As Sastnan Hidjan 05:16
6 Timtarin (feat. Hindi Zahra) 05:50
7 Tihoussay 05:02
8 Anha Achal Wad Namda 03:37
9 Tabsit 05:18


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Nowa płyta mistrzów saharyjskiego rocka.

Tamikrest return with a vivid, irrepressible rock and roll statement. Their most powerful album since 2013’s wildly acclaimed Chatma, Tamotaït finds the band not only turning up the volume, but also sharpening their ruminations on the state of the Sahara and the world beyond. Features acclaimed Moroccan singer Hindi Zahra and Japanese traditional musicians.

Sometimes music is more than the notes played or the words sung. Sometimes it’s a spirit that catches fire and burns with a dangerous, dazzling flame. On Tamotaït, Tamikrest’s fifth studio album, the music blazes bright and long. With the political situation so volatile and desperate in the Saharan ancestral lands from which Tamikrest comes, this is more than an album. This is resistance.

But in there, too, is the dream of the future. “The definition of the album is there in its title,” explains singer, guitarist and songwriter Ousmane Ag Mossa. “Tamotaït means hope for a positive change.”

Change as in an end to the fighting that’s plagued northern Mali and the wider region for the past several years; change as in the chance to prosper within their own homeland – Azawad – a proto nation that the nomadic Tuareg (or Kel Tamasheq as they prefer to be called) briefly possessed in 2012. It is music formed from thoughts, dreams, inspiration, and above all, collective experimentation.

“We are a band and when we play together everyone brings their way of playing. For the compositions, some pieces start from a riff, another part from a melody or a rhythm and each musician adds his ideas afterwards. The idea was to keep a common thread that comes from Tamasheq music and to take it through different worlds, whether they come from our influences or from our encounters during our travels.”

That common thread is
.......
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