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CocoRosie
Tales Of A GrassWidow [City Slang]

avant-pop
City Slang, 2013

total time: 60:01

aver. mark: -    mark it!

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CD:17,56€
Out of stock
availability: about a month ?
cat. no: SLANG50050
format : CD
number of discs : 1
packaging : digipack
vinyl:19,94€
Out of stock
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cat. no: SLANG50050LP
colour : black
format : 12"LP
number of discs : 1
 


no. title play mp3
1 After the afterlife 3:04
2 Tears for animals 5:19
3 Childe bride 4:18
4 Broken chariot 2:15
5 End of time 3:20
6 Harmless monster 3:08
7 Gravediggress 5:26
8 Far away 4:37
9 Roots of my hair 5:58
10 Villain 4:19
11 Poison 18:18


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CocoRosie is the potently poetic music-based project of American cross-disciplinary performance artists Sierra and Bianca Casady. They sing eye-opening accounts of unsayable things, yet their music ultimately celebrates a spiritual freedom attainable in the purely natural world. Their songs blend a myriad of styles and references, from hip-hop and reggae through to folk and opera, shaping the most painful of experiences into memorable and evocative pop songs. Taken as a whole, CocoRosie’s music is an ongoing psychologically intimate dialogue between the siblings. Each sister has her own persona and vocal delivery; Bianca delivers hard-hitting truths in a childlike voice whilst Sierra responds in pure open tones, playing a range of instruments including the harp, flute, piano, and guitar.

CocoRosie now introduce their fifth album, Tales Of A GrassWidow, produced in collaboration with Icelandic composer Valgeir Sigurðsson and enriched by a whole host of guest performances. It’s a brave record, synthesizing electronic and organic sound to convey a futuristic, back-to-nature feeling. The sisters boldly tackle topics most wouldn’t dare including child abuse, drawing parallels between the treatment of children, especially girls, as disposable and the destruction of the earth’s resources.

Amongst the 11 tracks that weave together to create Tales of a GrassWidow is ‘Gravediggress,’ whose recent release to the web saw CocoRosie warmly welcomed back by fans and critics alike. It’s a foreboding track, representative of the album’s overarching theme, the tale of an imagined conversation between an abandoned child and an outcast old woman. The young girl asks the Gravediggress to bury her love in the ground for safekeeping. With a wistful pump organ introduction, Bianca imparts the entreating child’s words, and Sierra, in haltering, but clear tones sings for the old woman. Their voices bl
.......
more

CocoRosie is the potently poetic music-based project of American cross-disciplinary performance artists Sierra and Bianca Casady. They sing eye-opening accounts of unsayable things, yet their music ultimately celebrates a spiritual freedom attainable in the purely natural world. Their songs blend a myriad of styles and references, from hip-hop and reggae through to folk and opera, shaping the most painful of experiences into memorable and evocative pop songs. Taken as a whole, CocoRosie’s music is an ongoing psychologically intimate dialogue between the siblings. Each sister has her own persona and vocal delivery; Bianca delivers hard-hitting truths in a childlike voice whilst Sierra responds in pure open tones, playing a range of instruments including the harp, flute, piano, and guitar.

CocoRosie now introduce their fifth album, Tales Of A GrassWidow, produced in collaboration with Icelandic composer Valgeir Sigurðsson and enriched by a whole host of guest performances. It’s a brave record, synthesizing electronic and organic sound to convey a futuristic, back-to-nature feeling. The sisters boldly tackle topics most wouldn’t dare including child abuse, drawing parallels between the treatment of children, especially girls, as disposable and the destruction of the earth’s resources.

Amongst the 11 tracks that weave together to create Tales of a GrassWidow is ‘Gravediggress,’ whose recent release to the web saw CocoRosie warmly welcomed back by fans and critics alike. It’s a foreboding track, representative of the album’s overarching theme, the tale of an imagined conversation between an abandoned child and an outcast old woman. The young girl asks the Gravediggress to bury her love in the ground for safekeeping. With a wistful pump organ introduction, Bianca imparts the entreating child’s words, and Sierra, in haltering, but clear tones sings for the old woman. Their voices bl
.......
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