Ever since its foundation in 1994, Italian collective Camerata Mediolanense merges Wave and Post Punk with the musical spirit of the Renaissance and Baroque periods, not shying away from experimentation. Although they have been received mainly within the neoclassical and neofolk spheres, professional composer and musicologist Elena Previdi and her entourage cover a wide area, ranging from traditional songs across archaic rhythmic parts to electronic elements, all of which make it hard to categorize the three studio albums, multiple singles, and EPs Camerata Mediolanense has issued so far.

Ever since its foundation in 1994, Italian collective Camerata Mediolanense merges Wave and Post Punk with the musical spirit of the Renaissance and Baroque periods, not shying away from experimentation. Although they have been received mainly within the neoclassical and neofolk spheres, professional composer and musicologist Elena Previdi and her entourage cover a wide area, ranging from traditional songs across archaic rhythmic parts to electronic elements, all of which make it hard to categorize the three studio albums, multiple singles, and EPs Camerata Mediolanense has issued so far.