Like the flora and fauna of her Madagascar homeland, Lala Njava’s music is distinctive and unique. Listen out for her silvery wandering voice, lush rolling guitars and rippling percussion on this, her striking debut album – her Malagasy Blues Song.

If Lala Njava’s music was a colour, it would be indigo – a dark, pensive hue that rings with a deep, almost bluesy, edge. Listening to Malagasy Blues Song, we hear bending guitar lines, Lala’s silvery wandering voice and rippling percussion winding together in harmony.

Malagasy Blues Song is Lala’s debut solo release, but as a young musician she gained a wealth of experience from performing live with her family band, Njava. In conversation, Lala explains the organic and free-flowing way in which their familial music-making occurred. Upon moving to Europe during the 1990s, the band became professionally established and smoothly scaled the ladder of success, recording two albums for EMI, embarking on a world tour and laying down some vocals for renowned ‘ethnic-electronica’ group Deep Forest. ‘Sweet Lullaby’ heard on Malagasy Blues Song is a re-recording of a track that Lala performed live with Deep Forest many times during this era of her career. Lala’s version is very different from the 1990s recorded pop original, and is deliciously reworked with her languorous bluesy swing. Stripped back to an acoustic setting, the lilting melody sparkles in its simplicity.

The guitar that undulates underneath Lala’s striking vocal throughout the album is played in a style reminiscent of the various stringed percussion instruments that dominate traditional Malagasy music. The rippling guitar strings roll out like a lush valiha, a tube zither considered the national instrument of Madagascar. The melodious mix is then punctuated with thick bass hits and shape-shifting drums.

The opening track on the album, &#.......
more

Like the flora and fauna of her Madagascar homeland, Lala Njava’s music is distinctive and unique. Listen out for her silvery wandering voice, lush rolling guitars and rippling percussion on this, her striking debut album – her Malagasy Blues Song.

If Lala Njava’s music was a colour, it would be indigo – a dark, pensive hue that rings with a deep, almost bluesy, edge. Listening to Malagasy Blues Song, we hear bending guitar lines, Lala’s silvery wandering voice and rippling percussion winding together in harmony.

Malagasy Blues Song is Lala’s debut solo release, but as a young musician she gained a wealth of experience from performing live with her family band, Njava. In conversation, Lala explains the organic and free-flowing way in which their familial music-making occurred. Upon moving to Europe during the 1990s, the band became professionally established and smoothly scaled the ladder of success, recording two albums for EMI, embarking on a world tour and laying down some vocals for renowned ‘ethnic-electronica’ group Deep Forest. ‘Sweet Lullaby’ heard on Malagasy Blues Song is a re-recording of a track that Lala performed live with Deep Forest many times during this era of her career. Lala’s version is very different from the 1990s recorded pop original, and is deliciously reworked with her languorous bluesy swing. Stripped back to an acoustic setting, the lilting melody sparkles in its simplicity.

The guitar that undulates underneath Lala’s striking vocal throughout the album is played in a style reminiscent of the various stringed percussion instruments that dominate traditional Malagasy music. The rippling guitar strings roll out like a lush valiha, a tube zither considered the national instrument of Madagascar. The melodious mix is then punctuated with thick bass hits and shape-shifting drums.

The opening track on the album, &#.......
more