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Scott Fields
Jeffrey Lependorf
Everything is in the instructions

jazz/impro
Ayler, 2013

aver. mark: -    mark it!

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CD:18,04€
Out of stock
availability: about a month ?
cat. no: AYLCD135
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 she comes from nowhere
2 terror babies
3 Objects in Relation to Other Objects
4 oh, yes
5 The Politics of Solitude
6 tip bloused
7 advice for some young man in the year 2064 A.D.
8 Naima


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muzycy:
Scott Fields: guitar
Jeffrey Lependorf: shakuhachi

Editor's info:
Scott Fields is a leading guitarist and composer in avant-jazz and New Music. Jeffrey Lependorf is a composer of contemporary chamber music and opera. He is also a certified master of the shakuhachi, a traditional Japanese bamboo flute, and has helped create a new repertoire of music for this ancient instrument. In Everything is in the instructions, they perform new works for guitar and shakuhachi that combine written and improvised material. Don’t look for anything related to so-called ‘world music’ or some new agey concept here. This is the exciting combination of two major musical personalities, and definitely music for the 21st century, where sound, silence and structures are masterly entwined to create something entirely new and original.

Editor's info:
Scott Fields is a leading guitarist and composer in avant-jazz and New Music. Jeffrey Lependorf is a composer of contemporary chamber music and opera. He is also a certified master of the shakuhachi, a traditional Japanese bamboo flute, and has helped create a new repertoire of music for this ancient instrument. In Everything is in the instructions, they perform new works for guitar and shakuhachi that combine written and improvised material. Don’t look for anything related to so-called ‘world music’ or some new agey concept here. This is the exciting combination of two major musical personalities, and definitely music for the 21st century, where sound, silence and structures are masterly entwined to create something entirely new and original.

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