"Schizophrenic disco punk trio from Montreal skronk, stomp and scream through this freewheeling second album. One minute they make like NYC punk funk crew !!! had they discovered gabba rather than acid house (‘Sponsorships’); the next, like Portishead jamming with the Glitter Band (‘Nebraska’s Valentine’)." TIME OUT

"With their monochromatic attire and drawn-on tattoos, Les Georges Leningrad look as if they've just stepped out of a 1930s comic strip. The three-piece from Montreal - who go by the names Poney P, Bobo Boutin and Mingo l'Indien - also sound as bizarre as they look, taking post-punk and no-wave back to its modern primitive roots." THE DAILY TELEGRAPH

"A stunning 63 seconds of unintelligible madhouse gibbering followed by three minutes of paranoid disco doom. Now that´s how you start an album." NME

Info dystrybutora:



Drugi album kanadyjskiego electro-no-wave-post-punkowego tria. Les Georges Leningrad z Montrealu są jednym z najbardziej znanych zespołów nowej elektroniki w Kanadzie, grali trasy min. z Erase Errata, The Gossip, Le Tigre, Locust, Trans Am i The Unicorns. W 2004 roku supportowali Sonic Youth na ich amerykańskiej trasie. "Sur les traces de Black Eskimo" to niebezpieczna mieszanka no wave, post-punka, electro, Giorgio Morodera i noiseowych improwizacji. Powstało z tego charakterystyczne i jedyne w swoim rodzaju brzmienie.

Ostatni utwór "Comment te dire Adieu" jest autorstwa Serge Gainsbourg.





"Schizophrenic disco punk trio from Montreal skronk, stomp and scream through this freewheeling second album. One minute they make like NYC punk funk crew !!! had they discovered gabba rather than acid house (‘Sponsorships’); the next, like Portishead jamming with the Glitter Band (‘Nebraska’s Valentine’)." TIME OUT



"With their monochromatic attire and drawn-on tattoos, Les Georges Leningrad look as if they've just stepped out of a 1930s comic strip. The three-piece from Montreal - who go by the names Poney P, Bobo Boutin and Mingo l'Indien - also sound as bizarre as they look, taking post-punk and no-wave back to its modern primitive roots." THE DAILY TELEGRAPH



"A stunning 63 seconds of unintelligible madhouse gibbering followed by three minutes of paranoid disco doom. Now that´s how you start an album." NME