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The Rough Guide To The Calypso Gold [2nd edition]

folk/ethno
World Music Network, 2015

total time: 62:02

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CD:11,87€
in stock
cat. no: RGNET1336CD
format : CD
number of discs : 1
packaging : ecopack
vinyl:23,74€
in stock
cat. no: RGNET1336LP
EAN: 0605633633627
colour : black
download code : yes
format : 12"LP
number of discs : 1
weight : 180 gramm
 


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Editor’s info:
The first mention of ‘Calypso’ comes from a dance, described by Abbé Masse in 1882. Otherwise, most scholars who have tried to trace the story of calypso agree that the word itself is not connected with the divinity who lured Homer’s Odysseus to her island. The origins of the word are not clear and scholars debate this with no definitive answer. The name possibly began with the French carrouseaux and went through patois and Anglicization — carrisseaux, calisseaux, caliso and finally to ‘calypso’. There are also suggestions that the name originated with exclamations of encouragement to the singer by the chorus or audience or both. But, whatever process brought the word ‘calypso’ into everyday use, the main thing is the calypso itself.

Quick wit, knowing observations of human behaviour and commentary on its absurd aspects are all elements of calypso, which prompted the American periodical Time to label calypso ‘The Living Newspaper’ in 1944. For eloquence and topical diversity, no other genre comes close to the calypso of Trinidad and Tobago. The Calypsonian assumes a stance between reporter, editorialist, moralist and satirist with commentary on scandal, disasters, politics, sexual indiscretion and everything from local to international affairs. Calypso songs, or kaisos, would outlive the colonial authorities who, at the time, were ignorant to the subtleties, innuendos and insinuations connected with calypso.

Robin Bryans wrote of the calypso, ‘No sacred cow, human or institutional is safe from the wit of the Calypsonian’, and Don Hill adds that ‘It is at once a social document of the country’s history, a compendium of the people’s language, an archive of their music. The Calypsonian serves his country equally as well as the griot of ancient Mali served his. But our native bard has not received the place of honour he dese
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Tracklista wersji winylowej 1LP:
Side A:
1. SIR LANCELOT - Scandal in the Family
2. CALYPSO ROSE - Rum & Coca Cola
3. LORD KITCHENER - Ah Bernice
4. CARESSER - Edward the VIII
5. THE MIGHTY BOMBER - Ugly Woman
6. KING RADIO - Man Smart Woman Smarter

Side B:
1. LION - Mary Ann
2. RELATOR - Nora
3. LORD PRETENDER - Human Race
4. DUKE OF IRON - The Lost Watch
5. SAM MANNING - Amba Calay
6. BELASCO'S ORCHESTRA FEAT HOUDINI - Blow Wind Blow

Editor’s info:
The first mention of ‘Calypso’ comes from a dance, described by Abbé Masse in 1882. Otherwise, most scholars who have tried to trace the story of calypso agree that the word itself is not connected with the divinity who lured Homer’s Odysseus to her island. The origins of the word are not clear and scholars debate this with no definitive answer. The name possibly began with the French carrouseaux and went through patois and Anglicization — carrisseaux, calisseaux, caliso and finally to ‘calypso’. There are also suggestions that the name originated with exclamations of encouragement to the singer by the chorus or audience or both. But, whatever process brought the word ‘calypso’ into everyday use, the main thing is the calypso itself.

Quick wit, knowing observations of human behaviour and commentary on its absurd aspects are all elements of calypso, which prompted the American periodical Time to label calypso ‘The Living Newspaper’ in 1944. For eloquence and topical diversity, no other genre comes close to the calypso of Trinidad and Tobago. The Calypsonian assumes a stance between reporter, editorialist, moralist and satirist with commentary on scandal, disasters, politics, sexual indiscretion and everything from local to international affairs. Calypso songs, or kaisos, would outlive the colonial authorities who, a
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