Vinyl 1LP tracklist:
1. Juaneco Y Su Combo: Perdido En El Espacio (3:24)
2. Los Wembler's De Iquitos: Bola Bola En El Tres (2:02)
3. Los Orientales De Paramonga: La Danza Del Mono (2:44)
4. La Mermelada' De Jose L. Carballo: Olvidate De Mi (2:25)
5. Grupo Rosado: En El Campo (3:32)
6. Jaime Gale Y Sus Profetas: Cumbia Profeta (3:50)
7. Anarkia Tropikal Feat. Los Chapillacs: El Silbido Del Tunche (5:14)
8. Sonido Gallo Negro: Inca-A-Delic (2:46)
9. Afrosound: María Isabel (2:45)
10. Chicha Libre: Alone Again Or (3:46)
11. Bareto: No Hay Vuelta Atrás (3:15)

Editor's info:
‘Psychedelic’ is a buzzword being used a lot these days, especially to sell evermore obscure treasures dug up from the world’s once lost, now rediscovered, international musical archives. In some instances calling the music ‘psych’ is a bit of a stretch – just because it’s weird or dressed up in imported trappings from the same era does not make it necessarily so – and at other times it seems to be merely cashing in on a trend.

Happily this is not generally the case when applied to cumbia, because this venerable genre of Colombian music with an international reach truly did go through a psychedelic period. Especially in Peru, where it is also experiencing a genuine resurgence of interest among contemporary musicians and audiences alike, from South America to the United States, Europe and beyond. Psychedelic rock (especially the Latin-flavoured kind, as practiced by Santana, Malo, Azteca and the like) and cumbia came of age together in the mid to late 1960s under parallel circumstances. In Peru (and to a lesser extent Mexico, Venezuela and Colombia) the tools of rock and roll – namely electric guitar and organ – were already quite popular among the youth of the day and it makes perfect sense that this originally acoustic Afro-Colo.......
more

Tracklista wersji winylowej 1LP:
1. Juaneco Y Su Combo: Perdido En El Espacio (3:24)
2. Los Wembler's De Iquitos: Bola Bola En El Tres (2:02)
3. Los Orientales De Paramonga: La Danza Del Mono (2:44)
4. La Mermelada' De Jose L. Carballo: Olvidate De Mi (2:25)
5. Grupo Rosado: En El Campo (3:32)
6. Jaime Gale Y Sus Profetas: Cumbia Profeta (3:50)
7. Anarkia Tropikal Feat. Los Chapillacs: El Silbido Del Tunche (5:14)
8. Sonido Gallo Negro: Inca-A-Delic (2:46)
9. Afrosound: María Isabel (2:45)
10. Chicha Libre: Alone Again Or (3:46)
11. Bareto: No Hay Vuelta Atrás (3:15)

Editor's info:
‘Psychedelic’ is a buzzword being used a lot these days, especially to sell evermore obscure treasures dug up from the world’s once lost, now rediscovered, international musical archives. In some instances calling the music ‘psych’ is a bit of a stretch – just because it’s weird or dressed up in imported trappings from the same era does not make it necessarily so – and at other times it seems to be merely cashing in on a trend.

Happily this is not generally the case when applied to cumbia, because this venerable genre of Colombian music with an international reach truly did go through a psychedelic period. Especially in Peru, where it is also experiencing a genuine resurgence of interest among contemporary musicians and audiences alike, from South America to the United States, Europe and beyond. Psychedelic rock (especially the Latin-flavoured kind, as practiced by Santana, Malo, Azteca and the like) and cumbia came of age together in the mid to late 1960s under parallel circumstances. In Peru (and to a lesser extent Mexico, Venezuela and Colombia) the tools of rock and roll – namely electric guitar and organ – were already quite popular among the youth of the day and it makes perfect sense that this originally acoust.......
more