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Karel Appel
Musique Barbare

avantgarde/ classical
Sub Rosa, 2016

total time: 27:57

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CD:11,87€
Out of stock
availability: about a month ?
cat. no: SR420
format : CD
number of discs : 1
packaging : digipack
vinyl:16,62€
Out of stock
availability: about a month ?
cat. no: SRV420
colour : black
format : 12"LP
number of discs : 1
 


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DeLuxe Digipack + 24 pages booklet

Karel Appel 1963's masterpiece never re-released before.

In 1963, Dutch abstract-expressionist painter Karel Appel (1921-2006), one of the founders of the avant-garde movement Cobra in 1948, logged time in the Instituut Voor Sonologie to compose music for a documentary being made on himself by cinematographer Jan Vrijman. Musique Barbare was born, released by Philips, this masterpiece of Musique Concrete is a real jewel for any record collectors. Made in collaboration with the Insituut's member Frits Weiland, the result is a fantastic mix of electric organ fumblings to full-on riots of distorted kettle drum and assorted percussion-room filigree, assembled into an extremely edit-heavy suite - much use of tape-speed manipulation.

Karel Appel was a forceful and fascinating personality, and his Musique Barbare does not less bear the stamp of it than do any of his other artistic creations. A more remarkable gramophone record has not been produced in many a year.
Both gatefold and digipack booklet contains exclusive photos done by Ed Van Der Elsken + texts by Jan Vrijman, all printed on a luxuous photographic paper.

DeLuxe Digipack + 24 pages booklet

Karel Appel 1963's masterpiece never re-released before.

In 1963, Dutch abstract-expressionist painter Karel Appel (1921-2006), one of the founders of the avant-garde movement Cobra in 1948, logged time in the Instituut Voor Sonologie to compose music for a documentary being made on himself by cinematographer Jan Vrijman. Musique Barbare was born, released by Philips, this masterpiece of Musique Concrete is a real jewel for any record collectors. Made in collaboration with the Insituut's member Frits Weiland, the result is a fantastic mix of electric organ fumblings to full-on riots of distorted kettle drum and assorted percussion-room filigree, assembled into an extremely edit-heavy suite - much use of tape-speed manipulation.

Karel Appel was a forceful and fascinating personality, and his Musique Barbare does not less bear the stamp of it than do any of his other artistic creations. A more remarkable gramophone record has not been produced in many a year.
Both gatefold and digipack booklet contains exclusive photos done by Ed Van Der Elsken + texts by Jan Vrijman, all printed on a luxuous photographic paper.

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