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Małgorzata Sarbak
Dissociative Counterpoint Disorder
Composer: Paweł Szymański

classical
Bołt, 2016

total time: 56:38

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CD:8,37€
in stock
cat. no: BR 1035/DUX 1332
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
  Paweł Szymański - Dissociative Counterpoint Disorder (2014):
1 Dissociative Counterpoint Disorder 10:00
Paweł Szymański - Through The Looking-Glass... III (1994):
2 Malgorzata Sarbak - harpsichord - Through the Looking Glass ...III 9:00
Paweł Szymański - Les Poiriers en Pologne ou une Suite De Pieces Sentimentales (1994):
3 La Connaissance des Poiriers ou Prelude 1:24
4 Francois ou Allemande 5:02
5 Erika ou Courante 2:24
6 Raspail-Ay ...01 ou Gavotte 1:21
7 Haut Coustias ...98 ou Sarabande 3:27
8 Louise ou Rondeau 2:13
9 Jacques ou Canaries 2:22
10 La Biere de Zwierzyniec ou Menuet polonais 1:01
11 Le Depart des Poiriers ou Chaconne ancienne 3:17
Partita III (1986):
12 Partita III 15:04


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Wykonawcy:
The Janáček Philharmonic Orchestra
Małgorzata Sarbak /klawesyn/
Zsolt Nagy /dyrygent/

Andrzej Chłopecki, the late critic and animator of the music scene, wrote extensively about Szymański's music as well as supporting the composer by means of his longtime role with the Warsaw Autumn festival. Chłopecki puts things thus: "the formal structure is beautiful while stylistic expression is calculated: for Szymański's music is a continual game." He then offers precedents in Johannes Ockeghem and Anton Webern, deducing that Szymański's "guiding principles would be speculation and constructivism." Rendering the loaded quality in the composer's works, Chłopecki adds that "the aim of Szymański's music is the creation of symbolic entities within abstract art forms."


During a discussion between the composer and musicologist Katarzyna Naliwajek-Mazurek about his harpsichord music, Szymański said he "acquainted myself with harpsichords very early, at fourteen or fifteen while attending music school. I was very close with Władysław Kłowsiewicz [now a renowned vir
.......
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