limited edition 400 copies green/clear vinyl

This could be seen as the missing link between Slaughter in Tiny Place and Europa - third and final LP report.

All songs are unreleased.
Recorded and mixed between 1980 and 1981.


Pseudocode:
Belgian electronic improvised music band, active from 1980 to 1982. featuring Xavier Ess (Thrills), Guy-Marc Hinant, Alain Neffe (Insane Music, Bene Geserit).

Pseudocode in a kind of free form minimal electronique concrete mood.There`s even the odd suggestion of a pop tune here and there, maybe even some danceable beats; if you`ve got one leg shorter than the other.
While Xavier S. contributes most of the lyrics and vocals, Guy-Marc Hinant plays often the core melody on guitar or electric piano, Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic cloth through overdubbing and mixing.one of his parts are remotely virtuosic (hence his self-identification as a non-musician), but they are always unexpected and perfect in and of themselves, emotionally and sonically, and in that sense they are deeply musical.

limited edition 400 copies green/clear vinyl

This could be seen as the missing link between Slaughter in Tiny Place and Europa - third and final LP report.

All songs are unreleased.
Recorded and mixed between 1980 and 1981.


Pseudocode:
Belgian electronic improvised music band, active from 1980 to 1982. featuring Xavier Ess (Thrills), Guy-Marc Hinant, Alain Neffe (Insane Music, Bene Geserit).

Pseudocode in a kind of free form minimal electronique concrete mood.There`s even the odd suggestion of a pop tune here and there, maybe even some danceable beats; if you`ve got one leg shorter than the other.
While Xavier S. contributes most of the lyrics and vocals, Guy-Marc Hinant plays often the core melody on guitar or electric piano, Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic cloth through overdubbing and mixing.one of his parts are remotely virtuosic (hence his self-identification as a non-musician), but they are always unexpected and perfect in and of themselves, emotionally and sonically, and in that sense they are deeply musical.