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RAY CHARLES
The Rough Guide To Ray Charles

jazz/impro
World Music Network, 2017

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CD:11,87€
in stock
cat. no: RGNET1356CD
EAN: 0605633135626
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Come Rain Or Come Shine 3:41
2 What'd I Say (Parts 1 & 2) 5:04
3 Lonely Avenue 2:35
4 I Got A Woman 2:53
5 Georgia On My Mind 3:35
6 Hallelujah I Love Her So 2:35
7 Drown In My Own Tears 3:20
8 Early In The Morning 2:47
9 Night Time Is The Right Time 3:27
10 Mess Around 2:39
11 I Believe To My Soul 3:00
12 Mary Ann 2:46
13 Come Back Baby 3:05
14 This Little Girl Of Mine 2:31
15 Sinner's Prayer 3:23
16 Talkin' ëBout You 2:50
17 A Fool For You 3:01
18 Let The Good Times Roll 2:51
19 Blackjack 2:19
20 I Had A Dream 2:52
21 Tell Me How Do You Feel 2:42
22 It Should've Been Me 2:43
23 Iím Moving On 2:18


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Editor's info:
The undisputed ‘genius of soul’, Ray Charles’ golden period is presented here with a handpicked selection of tracks from his 1950s heyday. A true innovator and inspiration to soul singers and rock vocalists alike, Ray Charles transcended racial boundaries and changed the shape of popular music.

‘I was the first one who started soul,’ Ray Charles said when the compiler of this collection interviewed him shortly before his death in 2004. ‘I was raised in the church and I knew gospel music. But I knew rhythm and blues too, because that was the music you heard in the neighbourhood. And I thought, ‘that’s my sound.’ I put those two things together and they called it soul music.’

To interview Ray Charles was a privilege. But to hear him sing was heaven and the tracks included here, recorded between 1953 and 1960, constitute not only the peak of his genius but were a fountain of inspiration that changed the shape of popular music across racial boundaries, influencing black soul singers such as Stevie Wonder, Marvin Gaye and Otis Redding and white rock vocalists like Joe Cocker, Steve Winwood and Van Morrison.

Ray Charles Robinson was born into acute poverty in rural Georgia in 1930 and had a tragic upbringing. He witnessed his brother drown as a young child, was blind from the age of seven and lost his mother when he was 15. ‘Music was the only thing that kept me breathing and gave me a way to pick myself up,’ he told this writer.

At blind school he learnt to read and write music in braille and began his recording career for the Downbeat label in 1949, singing in a smooth, crooning style modelled on Nat ‘King’ Cole and Charles Brown.

He enjoyed some early success but it was not until he signed to Atlantic Records in 1952 that he began to develop his own style and, with the encouragement of label
.......
more



Editor's info:
The undisputed ‘genius of soul’, Ray Charles’ golden period is presented here with a handpicked selection of tracks from his 1950s heyday. A true innovator and inspiration to soul singers and rock vocalists alike, Ray Charles transcended racial boundaries and changed the shape of popular music.

‘I was the first one who started soul,’ Ray Charles said when the compiler of this collection interviewed him shortly before his death in 2004. ‘I was raised in the church and I knew gospel music. But I knew rhythm and blues too, because that was the music you heard in the neighbourhood. And I thought, ‘that’s my sound.’ I put those two things together and they called it soul music.’

To interview Ray Charles was a privilege. But to hear him sing was heaven and the tracks included here, recorded between 1953 and 1960, constitute not only the peak of his genius but were a fountain of inspiration that changed the shape of popular music across racial boundaries, influencing black soul singers such as Stevie Wonder, Marvin Gaye and Otis Redding and white rock vocalists like Joe Cocker, Steve Winwood and Van Morrison.

Ray Charles Robinson was born into acute poverty in rural Georgia in 1930 and had a tragic upbringing. He witnessed his brother drown as a young child, was blind from the age of seven and lost his mother when he was 15. ‘Music was the only thing that kept me breathing and gave me a way to pick myself up,’ he told this writer.

At blind school he learnt to read and write music in braille and began his recording career for the Downbeat label in 1949, singing in a smooth, crooning style modelled on Nat ‘King’ Cole and Charles Brown.

He enjoyed some early success but it was not until he signed to Atlantic Records in 1952 that he began to develop his own style and, with the encour
.......
more

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