muzycy:
Jason Rigby - saxophones
Mike Baggetta - guitar
Art Hirahara - piano
Mark Micklethwaite - drums
Fumi Tomita - bass

Midwest Record Review:
Even English majors might not be up on what's going on here as the bass ace does his impressionistic versions of Japanese short stories that probably fall somewhere in the range of Aesop's Fables. Often having some form of despair as their theme, some of these tracks blow forward with too much of a force to be taken that way. In any case, he knows his jazz and this is a fine change up from a new voice that's been honing his skills in New York for the last 15 years. Treat it as more than a novelty.?
Editor's info:
Even English majors might not be up on what's going on here as the bass ace does his impressionistic versions of Japanese short stories that probably fall somewhere in the range of Aesop's Fables. Often having some form of despair as their theme, some of these tracks blow forward with too much of a force to be taken that way. In any case, he knows his jazz and this is a fine change up from a new voice that's been honing his skills in New York for the last 15 years. Treat it as more than a novelty.
By Chris Spector

Editor's info:
With haunting, memorable melodies, the combination of writer Haruki Murakami's influence and bassist Fumi Tomita's compositions is a bold statement of Asian-American identity. "The Elephant Vanishes" interprets seven short stories by the Japanese author that draw on themes of despair, loneliness, disconnection, and self-discovery. Equally prominent are the Western pop culture references and magical elements that decorate each story. Along with saxophonist Jason Rigby, guitarist Mike Baggetta, pianist Art Hirahara and drummer Mark Micklethwaite, Tomita reimagines Murakami's literary themes, transforming them into rich musical landscapes. Active in New York City for fifteen years, Tomita is currently on the faculty at the University of Massachusetts, Amherst.

Midwest Record Review:
Even English majors might not be up on what's going on here as the bass ace does his impressionistic versions of Japanese short stories that probably fall somewhere in the range of Aesop's Fables. Often having some form of despair as their theme, some of these tracks blow forward with too much of a force to be taken that way. In any case, he knows his jazz and this is a fine change up from a new voice that's been honing his skills in New York for the last 15 years. Treat it as more than a novelty.?
Editor's info:
Even English majors might not be up on what's going on here as the bass ace does his impressionistic versions of Japanese short stories that probably fall somewhere in the range of Aesop's Fables. Often having some form of despair as their theme, some of these tracks blow forward with too much of a force to be taken that way. In any case, he knows his jazz and this is a fine change up from a new voice that's been honing his skills in New York for the last 15 years. Treat it as more than a novelty.
By Chris Spector

Editor's info:
With haunting, memorable melodies, the combination of writer Haruki Murakami's influence and bassist Fumi Tomita's compositions is a bold statement of Asian-American identity. "The Elephant Vanishes" interprets seven short stories by the Japanese author that draw on themes of despair, loneliness, disconnection, and self-discovery. Equally prominent are the Western pop culture references and magical elements that decorate each story. Along with saxophonist Jason Rigby, guitarist Mike Baggetta, pianist Art Hirahara and drummer Mark Micklethwaite, Tomita reimagines Murakami's literary themes, transforming them into rich musical landscapes. Active in New York City for fifteen years, Tomita is currently on the faculty at the University of Massachusetts, Amherst.