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Joris De Laet
Experimental & Parametric Music 1976-2017

avantgarde
Sub Rosa, 2020

total time: 54:50; 64:58

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vinyl:20,55€
in stock
cat. no: SRV469
EAN: 5411867334699
colour : black
format : 2x12"LP
number of discs : 2
packaging : singlefold
Weight: 0.44 kg
CD:16,03€
availability:
about a month
cat. no: SR469
EAN: 5411867114697
format : CD
number of discs : 2
packaging : digipack
 


no. title play mp3
  CD 1
1 Au plus de soleil, au plus de bruit (2007-08) 8:31
2 Aural Silver (1993-1994) 9:48
3 Cordes et Corps (2009) 8:29
4 Signalisations (1976) 8:36
5 Étude aux inattendus (2012) (*CD only) 8:22
6 Masses d'algorithmes vers 12 zones chromatiques (1987) 11:04
CD 2
1 Madmatics (2002) 12:54
2 Mnemosyne pour une acousmaman (2017) 4:28
3 Paramétrique n° 4 - Parametrisch 4 (1981) (*CD only) 19:17
4 Pour piano et pianiste (2005) (*CD only) 9:03
5 Art Maniaque (2000) 11:01
6 Amour Sacré (2005) 8:16


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Through Experimental & Parametric Music 1976-2017, more than 40 years of composer Joris De Laet's work is unveiled. The collection discovers for the first time the great coherence of this work: from "Signalisations" (1976) to "Mnemosyne Pour Une Acousmaman" (2017). The compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography. Released in Sub Rosa's Early Electronic series.

Joris De Laet was born in 1947. Belgian by birth, self-taught by definition, parametric music and art video composer by choice. Founder of the S.E.M. (Studio voor Experimentele Muziek) in Antwerp, 1973. Internships at the IPEM (Instituut voor Psychoakoestiek en Elektronische Muziek) in Ghent, 1972-1975, under Karel Goeyvaerts, Lucien Goethals, and Dr. Herman Sabbe. De Laet is the founder of the SEMensemble, a group of musicians-composers specialized in performing experimental music and live electronics. From 1975 until 1990, he gave concerts with this ensemble throughout Europe (Germany, France, The Netherlands, Austria, Poland, Croatia, etc.) and in Canada (Montreal, Kingston, Toronto). Inspired by the deep control on electronic sonics, De Laet has been defining his work since 1979 as "Parametric Music", music where composition is based on transformation flows of one or several parameters, selected by the composer, that form, through their converging (or diverging) processes the main characteristics of the regulated sonics of the composition. Double-CD version comes in a digipack; includes 20-page booklet.


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