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Shalosh
Broken Balance

jazz/impro
Act, 2020

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CD:16,62€
Out of stock
availability: 2 weeks ?
cat. no: ACT99142
EAN: 614427991423
format : CD
number of discs : 1


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https://youtu.be/cneqK8FZOmg

line up
Gadi Stern / piano & synths
David Michaeli / double bass
Matan Assayag / drums


Recording Information
Music composed, arranged and produced by Shalosh
except Breed by Kurt Cobain

Recorded by Michael Dahlvid at Nilento Studio, Gothenburg, February 3rd-5th, 2020
Sound design by Lars Nilsson
Mixed and mastered by Lars Nilsson
Piano sound design on the “Orphan Boy” by Arik Finkelberg

"Life never goes in a straight line. Our world is full of surprises. Things we have known forever can change before our very eyes. So the challenge is to keep level-headed, to ensure that our lives stay in balance on the personal, the social and the political level.”

Shalosh capture this attitude in their music, and especially in "Broken Balance"."More drama, more pushing at the extremes, more sideways looks" – that was the motto for the album. The Tel Aviv-based trio cheerfully mix and contrast styles and genres; they're far too nimble to be categorized. They play with the complementary extremes of strength of impact and fragility. "We are always Shalosh. That is how we act, as one; our sound can be swing...or death metal." There is nothing random about their musical choices, however. Shalosh is like one organism, its parts instinctively breathing together. They tell stories too. Because Shalosh genuinely do have something to say. They want to inspire, to make references, to ask questions, and the miracle is that they do it all wordlessly.

The album gets going with “The Orphan Boy Who Wanted To Be A King”. The track has a dreamy opening, and also has a story to it. An orphaned child is contemplating a vision of what it would be like to be a king. As the melody grows and evolves, that dream starts to feel more and more real. “The Emperor’s New Clothes” deals with paranoia and disaster in the minds of some of our current political leaders, who have lost all sense of humanity and decency. The elegiac tune about David Bowie in Berlin finds ways to transform a newspaper photo that brings bad news into an artistic statement.

“The Birth Of Homo Deus” is the soundtrack to a three-part film script by Gadi Stern, in which computers have taken charge – and made the world a better place. The impromptu ballad “Quiet Corner” is the album’s refuge of calm. In
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