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Arthur Possing Quartet
Natural Flow

jazz/impro
Double Moon, 2021

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CD:14,72€
Out of stock
availability: about a month ?
cat. no: DMCHR71391
EAN: 0608917139129
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 Flow 06:42
2 Sentietincelle 06:40
3 One Move Further 05:01
4 Terminus 05:43
5 New Directions 03:31
6 Walk Around Etangs 05:10
7 A Journey to... 01:43
8 Golden Fields 06:15
9 Le Roi Arthur 06:32
10 Memory 07:43
11 Elf 04:08
12 Straight Forward 06:57


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https://youtu.be/tvGV5utKPKE

muzycy:
Arthur Possing - Piano
Sebastian Flach - Double bass
Niels Engel - Drums
Pierre Cocq-Amann - Tenor Saxophone
Thomas Mayade - Trumpet

Editor's info:
“Natural Flow” is the name of the second album by Luxembourgian pianist Arthur Possing with his quartet, and the album title of course also defines the sound ideal of the band. It has existed since 2013, so it had enough time to develop the natural flow that characterizes the eleven songs on the successor to “Four Years”. Together with his compatriot Niels Engel on drums, the German bassist Sebastian Flach and the French saxophonist Pierre Cocq-Amann, Possing plays a warm modern jazz on “Natural Flow”, which is sophisticated, versatile and exciting. The four got to know each other in the Luxembourg jazz scene, and the French trumpeter and flugelhorn player Thomas Mayade is also a guest on four songs.

“Together, we embody exactly the sound I imagined,” Possing said. “As a pianist, the standard formation is the trio, but I always wanted a saxophone to play the melodies. I realized when composing that it would be better if another instrument played the melodies.”

Possing cannot praise his partner in melody leadership and structure enough. “Pierre can play a note and it touches you directly,” according to the pianist. “It's not about the number of notes, but about the way he plays a note. Whether on the soprano or the tenor, he has an attitude of how he presents emotions that is unique. I'm very glad I have him playing alongside me.”
Possing also found just the right companion for the position on the bass. “It's the round sound of Sebastian,” the pianist stated enthusiastically. “When he plays double bass, you immediately feel the fullness of his sound. He is very focused on the sound he plays and on the whole band at the same time. In addition, he plays very melodically. He gives the whole band a feeling of security, and that's actually the most important thing.”

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