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Dave Rempis
Tomeka Reid
Joshua Abrams
Tim Daisy
The COVID Tapes - Solos, Duos, & Trios

jazz/impro
Aerophonic, 2021

total time: 57:39; 52:04

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CD:20,18€
Out of stock
availability: about a month ?
cat. no: AR031CD
EAN: 5060179708256
format : CD
number of discs : 2
packaging : ecopack


no. title play mp3
  CD1:
1 Knox (by Joe McPhee) 06:46
2 Toron - Rempis/Daisy 17:18
3 B My Dear (by Dudu Pukwana) 03:40
4 Skin And Bones - Rempis/Abrams/Damon 22:58
5 The Song Is You (by Jerome Kern) 06:37
CD2:
1 Just A Gigolo (by Leonello Casuci) 03:28
2 In The Wild - Rempis/Reid/Abrams 19:34
3 On Green Dolphin St (by Bronislaw Kaper) 06:52
4 Glitch - Rempis/Damon 17:29
5 Isfahan (by Ellington/Strayhorn) 04:19


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https://youtu.be/G_dtEX49zR0

muzycy:
Dave Rempis Solo (saxophones) and in duos and trios with:
Tomeka Reid – cello
Joshua Abrams – bass
Tim Daisy – drums
Tyler Damon - drums

Liner Notes:
At the onset of the COVID pandemic in the US in winter 2020, I was on tour. First in Europe for 10 days with Michael Zerang’s Blue Lights, ending with a performance with Michael and Elisabeth Harnik at the ArtActs Festival in Austria on March 6th. I then flew straight to Asheville, NC to start a tour with Kuzu on March 8th. In St. Louis on March 11th, the severity of what we were facing was becoming clear. We finished our last dates in Chicago, Milwaukee, and Madison, and two days later the country was in lockdown.

As an improviser, it felt like my job to figure out some way forward artistically. So I did what I often do when “working” in this abstract art form feels too absurd; I put my head down and kept plowing ahead. And it worked for awhile. An early invitation to do an online solo performance on March 25th as part of the Quarantine Concerts organized by ESS in Chicago showed one potential way forward. Although online performances sure aren’t ideal in a music that’s based on live in-person interaction, they were at least something. I’d already been delving seriously into my solo playing since 2017 when I did a long solo tour and produced my first solo record, Lattice, so why not try to build on that further?

After another invite to do an online performance at Fulton St. Collective in early May, I really dove in. I launched a concept whereby I’d release a new digital album on Aerophonic Records each week, culled from the many recordings I had on hand of various working bands and one-off projects spanning roughly twenty years. Each new album would be accompanied by an online record launch performance on Wednesday nights, and all the proceeds from sales would be split evenly between the artists on each one, hopefully generating a small amount of revenue for some of my collaborators. Between the first week of May and the last week of August, I produced 15 of those digital al
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