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Eri Yamamoto
Goshu Ondo Suite [& Choral Chameleon]

jazz/impro
AUM Fidelity, 2019

total time: 55:00

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CD:18,51€
in stock
cat. no: AUM112
EAN: 0642623311226
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 Part 1 6:07
2 Part 2 16:13
3 Part 3 4:19
4 Part 4 4:02
5 Part 5 5:46
6 Part 6 6:14
7 Part 7 6:29
8 Echo Of Echo 5:52


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https://youtu.be/_yGhrSjqWYk

muzycy:
Eri Yamamoto: piano, compositions
David Ambrosio: bass
Ikuo Takeuchi: drums
Choral Chameleon: choir

Editor's info:
Eri Yamamoto transcended jazz, classical and folk forms in creating her new work for jazz trio & 50-member choir. The Japanese-born, New York-based pianist & composer seamlessly melds biography, group improvisation and far-ranging compositional vocabularies in a momentous seven-part suite, featuring her longstanding trio in collaboration with New York-based Choral Chameleon, directed by its award-winning founder, Vince Peterson.

The suite is based off of the “Goshu Ondo,” a traditional circle dance song from Shiga, Japan, where it was sung during the summer Bon festival to warmly welcome ancestral spirits. Composing the Goshu Ondo Suite brought some of Yamamoto’s happiest childhood memories flooding back. The decision to compose for choir was sprung from a desire to bring community into the process of creation – to increase the number of people involved in making & celebrating beautiful sound together. To evoke that joyful sense, her Trio & Choral Chameleon engaged in an intensive & committed rehearsal schedule, with the choir singing in Romaji transliteration of the Japanese text. Indeed every member of Choral Chameleon was so engaged with the process that they memorized the piece, performing the exultant November 2018 world premiere by (and with) great heart!

The suite commences with the folk song's melodic kernel from which the rest blooms. Choral Chameleon’s heterophony, polyphony and unison singing interweave with Yamamoto’s trio, often with gorgeous open vowels evocative of natural scenes in works ranging from Claude Debussy through Charles Ives to Duke Ellington. All is bolstered by gentle trio improvisation, Ambrosio and Takeuchi propelling the band forward and ultimately building to a life-affirming choral unison. The second and longest part, with its tempo, dynamic and metric shifts evolving as naturally as breathing, is the tree trunk, fostering development and setting
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