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Sirom
The Liquified Throne of Simplicity

folk/ethno/ postrock
Glitterbeat, 2022

total time: 77:21

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CD:14,24€
Out of stock
availability: up to a month ?
cat. no: GBCD120
EAN: 4030433612026
format : CD
number of discs : 1
packaging : ecopack
vinyl:33,23€
Out of stock
availability: up to a month ?
cat. no: GBLP120
EAN: 4030433612019
colour : black
download code : yes
format : 2x12"LP
number of discs : 2
packaging : gatefold
 


no. title play mp3
1 Wilted Superstition Engaged in Copulation
2 Grazes, Wrinkles, Drifts Into Sleep
3 A Bluish Flickering
4 Prods the Fire With a Bone, Rolls Over With a Snake
5 I Unveil a Peppercorn to See It Vanish


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https://youtu.be/smAvl9GdUns

Ana Kravanja: viola, daf, ocarinas, mizmar, balafon, ribab, various objects, voice.
Iztok Koren: guembri, banjos, tank drum, bass drum, percussion, balafon, various objects, Chimes.
Samo Kutin: hurdy gurdy, tampura brač, lyre, lute, brač, chimes, balafon, frame drum, ocarina, acoustic resonators, various objects, voice.

The Slovenian “imaginary folk” trio’s most epic and transportive album yet. Powered by acoustic and often handmade instruments, these expansive compositions echo the borderless, collective spirit of groups like Don Cherry’s Organic Music Society and Art Ensemble of Chicago.
“Episodic, dreamlike voyages” – The Guardian

———————————————-

A well-placed crossroads to central Europe, the Balkans and the Adriatic, Slovenia has a rich atavistic topography of mountains, deep forests and karst landscapes to arouse both escapism and inspiration. Drawing on this geography of contemplation and psychic energy, from a country previously swallowed up by Yugoslavia and before that, reaching back centuries, the Roman, Byzantine and Austro-Hungarian Empires, the Slovenian trio of Iztok Koren, Ana Kravanja and Samo Kutin conjure up an extended album of intuitive transcendence and reflection on the unique sounding The Liquified Throne of Simplicity.

Finding a home once more with Glitterbeat Records’ adventurous, experimental, mostly instrumental, platform tak:til, and following on from the debut I (released in 2016 on the Radio Študent label), the much lauded I Can Be A Clay Snapper (2017), and the equally acclaimed A Universe That Roasts Blossoms For A Horse (2019), Širom’s fourth such inventive and illusionary album incorporates some aspects of the former whilst expanding the inventory of eclectic instruments and obscured sounds. For the first time the trio also ignore the time constraints of a standard vinyl record to fashion longer, more fully developed entrancing and hypnotizing peregrinations. This new, amended, approach results in 80 minutes of abstract and rustic folklore, dream-realism, explorative intensity and cathartic ritual. And within that array of realms there’s evocation
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