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Altin Gun
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folk/ethno/ postrock/ rock
Glitterbeat, 2023

total time: 40:14

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CD:16,62€
in stock
cat. no: GBCD138
EAN: 4030433613825
format : CD
number of discs : 1
packaging : digipack
vinyl:24,21€
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cat. no: GBLP138
EAN: 4030433613818
colour : black
download code : yes
format : 12"LP
number of discs : 1
packaging : singlefold
 


no. title play mp3
1 Badi Sabah Olmadan 4:43
2 Su Siziyor 4:05
3 Leylim Ley 4:15
4 Dere Geliyor 3:47
5 Çit Çit Çedene 4:06
6 Rakiya Su Katamam 3:40
7 Canim Oy 3:24
8 Kalk Gidelim 4:33
9 Güzelliğin On Para Etmez 3:47
10 Doktor Civanim 3:56


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https://youtu.be/DLCiUHbtj1A
https://youtu.be/GsaRfnZCHCo
https://youtu.be/vIgeV7KfmTI

Merve Daşdemir – vocals and keyboards
Erdinç Ecevit – vocals, saz and keyboards
Thijs Elzinga – guitar
Jasper Verhulst – bass
Daniel Smienk – drums
Chris Bruining – percussion

Their 5th album in as many years Aşk (deeper feeling of love), marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altın Gün’s first two albums.

It is a record that radiates the infectious energy found in the Amsterdam-based sextet’s celebrated live performances and next levels the group’s ground breaking sonic palette of Turkish psychedelic groove pop, sci-fi disco and dreamy acid folk.

——————

The first thing that grabs you about Altın Gün’s new album is the energy.

With Aşk, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Âlem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Aşk, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altın Gün’s first two albums, On (2018) and Gece (2019).

But there’s development here too. Aşk is the closest the band have come so far to capturing the infectious energy of their live performances. “It’s definitely connecting more with a live sound – almost like a live album,” says bassist Jasper Verhulst. “We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home.”

“We didn’t record it like we did the last album,” agrees vocalist Merve Daşdemir. “We basically produced that one at home because of the pandemic. Now we’ve gone back to recording live on tape.”

“We took a very traditional approach to recording a rock album, like in the 70s,” Verhulst adds. In this instance, that doesn’t just mean getting six musicians together in a room with a few microphones. “It’s also about the gear that we are using,” s
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