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Pita
Reinhold Friedl
Pita / Friedl

avantgarde/ electronic
Karl Records, 2023

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vinyl:37,95€
in stock
cat. no: KR099
EAN: 5050580790483
download code : yes
format : 2x12"LP
number of discs : 2
packaging : singlefold
weight : 180 gramm
Weight: 0.5 kg


no. title play mp3
1 A Caciara 21:14
2 B Chiasso 19:58
3 C Clamore 23:01


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https://youtu.be/W_vLfNXM4mA
https://youtu.be/D6Bf9jLEHUU
https://youtu.be/9FS4Z-NCX7w


Peter Rehberg: electronics
Reinhold Friedl: inside piano

recorded july 2021 at Studio Aichhorn, Vienna
mixed by Dirk Dresselhaus at ZONE, Berlin
mastered & lacquer cut by Kassian Troyer at D&M, Berlin

cover concept by Thomas Herbst
layout by kaidoh

Electronic music legend and head of Editions Mego, Peter Rehberg, teams up with zeitkratzer mastermind Reinhold Friedl. 3 side-long pieces melting electronic / contemporary avantgarde. Uncompromising.

When Peter "Pita" Rehberg and Reinhold Friedl first met each other, they did not like each other "at all," as Friedl emphasises with a hearty laugh. The two would however eventually bond over the years thanks to a mutual respect for each other's music. In the summer of 2021, they entered the studio together for the first time. Their joint album for Berlin's Karlrecords is a faithful document—no editing, no overdubs—of their improvisations during two recording sessions shortly before Rehberg's sudden and untimely passing on July 22nd of that year. The three pieces see Rehberg working with electronics and Friedl with his inside piano, proving that they had indeed managed to find a common ground—up to a point where it at times becomes hard to tell who plays what on this record.

Friedl ran into Rehberg in Zbigniew Karkowski's tiny Tokyo apartment in 1999 while organising the first edition of the Off-ICMC that was set to take place in the following year. "I came uninvited and slept a night at Zbigeniew's before Peter arrived and I had to move out," remembers Friedl, who ended up inviting the Mego founder to perform at the Off-ICMC even though he found it hard to relate to his music. "We had very different backgrounds: he came from industrial and I had roots in classical music and improv, a high-brow prick!" After having met several times at different concerts without ever really speaking to each other in the following years, a concert in Vienna in the late 2010s marked a turning point in their relationship (or lack thereof). Playing their sets back to back and loving every second of what the other was doing, the two finally clicked on musical level. "We met for dinner on each of the three following nights!," remembers Friedl.<
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