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Karl Bartos
The Cabinet Of Dr. Caligari

electronic
Bureau B, 2024

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CD:17,70€
in stock
cat. no: BB400
EAN: 4015698197679
format : CD
number of discs : 1
packaging : digipack
CD+DVD:46,16€
Out of stock
availability: up to a month ?
format : CD+DVD
number of discs : 2
 
vinyl:47,84€
Out of stock
availability: up to a month ?
format : 2x12"LP
number of discs : 2


no. title play mp3
1 Prologue
2 Scary Memories
3 Atonal Floating
4 Full Of Life
5 In The Town Hall
6 At The Funfair
7 A Mysterious Crime
8 At The Funfair 2
9 The Cabinet Of Dr. Caligari
10 Jane's Theme
11 March Grotesque 2
12 Jane's Theme 2
13 Shadows
14 Tragic Message
15 Suspicion
16 Tragic Message 2
17 The Plan
18 A Dark Figure
19 Caligari's Theme
20 Arrest Of The Suspect
21 Caligari's Theme 2
22 Worried Jane
23 Interrogation
24 Jane's Fear
25 Francis's Observation
26 Cesare's Attack And Escape
27 Safe And Sound
28 Francis At A Loss
29 Caligari's Deception
30 Lunatic Asylum
31 In Search Of The Truth
32 Out In The Field
33 The Director Rants And Rages
34 Scary Memories 2
35 Who's Mad Here?
36 Francis Rants And Rages
37 Epilogue


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https://youtube.com/playlist?list=OLAK5uy_mhEZ3UI0H-zJgtoStnprn7r4_ra9WDwM4&si=_smlyWnyOaWZ6Z0y

Narrative film music and sound design for Robert Wiene’s classic 1920 psychological thriller.
2012 - 2014 digitally restored in 4K by the Friedrich-Wilhelm-Murnau-Foundation.

Musician and writer Karl Bartos has long been admirer of Weimar-era culture. During his time in Kraftwerk, he helped create the stunning track ‘Metropolis’, directly inspired by a band viewing of the classic 1927 Fritz Lang film of the same name.
The original orchestral music composed for The Cabinet of Dr. Caligari by Giuseppe Becce had long been lost and in 2005, after watching the film, Bartos imagined what it would be like to create an entirely new one in the 21st Century in his home studios in Hamburg. Now with crystal clear images, digitally restored by the Friedrich-Wilhelm-Murnau-Foundation, the film is visually the best quality it has ever been, and now, with Bartos’ soundtrack, there is impressive sound to go with the haunting vision.
For the task, Bartos ransacked his own library of musical compositions, recreating pieces he had written as a young classical musician in his pre-Kraftwerk days whilst creating new sounds, melodies and textures. The intention was not simply to write a film score per se. This was to be an immersive listening experience with special sound effects to match the action as we enter the film as both spectator and participant. A creaking door, footsteps on gravel, the turning of pages in a ledger, a half-heard fragment of dialogue are seamlessly synchronised to the action on screen.
By taking the characteristics of Expressionism in the arts, and transferring them into film making, a disturbing, distorted depiction of reality enwrapped and entrapped the viewer. The subjective replaces the objective. We are sucked into a parallel world lit in menacing chiaroscuro, where dimension, proportion and perspective are all off skew.

From the convex polygon-shaped windows of precipitously sha
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