https://youtu.be/i928tEdVI4Q?si=k8a372dxlrtSZsW3

muzycy:
Oscar Peterson (piano)
Niels-henning Ørsted Pedersen (double bass)
Martin Drew (drums)
Lorne Lofsky (guitar)

Editor's Info
Throughout his decades-long career, Oscar Peterson accomplished the near impossible: greatness with every note played and the acquisition of new generations of fans worldwide, regardless of the obstacles life threw at him. In 1994, only one year after suffering a stroke that rendered his left hand weakened, Peterson took the stage in Munich to prove to his collaborators, fans, and himself, that his earned title of “Maharaja of the keyboard” by Duke Ellington still rang true. By reinventing his playing style at 68 years old, he demonstrated his undiminished inventive prowess and mastery of piano gymnastics.

Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art. Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums. Perhaps it is because critics ran out of favorable adjectives to use early in his career; certainly it can be said that Peterson played 100 notes when other pianists might have used ten, but all 100 usually fit, and there is nothing wrong with showing off technique when it serves the music. As with Johnny Hodges and Thelonious Monk, to name two, Peterson spent his career growing within his style rather than making any major changes once his approach was set, certainly an acceptable way to handle one's career. Because he was Norman Granz's favorite pianist (along with Tatum) and the producer tended to record some .......
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