https://youtu.be/5AEamHhS3h4

Warehouse fund ! An unusual detour in the Robert Wyatt catalogue, Radio Experiment Rome was recorded in February 1981, when the ex-Soft Machine drummer had been invited to record some material in-progress for a radio broadcast. The tone of these sessions is characterised by a free-roaming experimentation, laying down eight-track recordings of vocals, piano, hi-hat, jaw harp and a variety of analogue tape effects. This is Wyatt unhinged and completely let loose from the agenda of proper album recording: there's no eye on a finished, commercially viable product here, and the scope of the project takes in jazzy soundscapes like 'Heathens Have No Souls', exquisitely melodic piano pieces like 'L'Albero Degli Zoccoli', vaudevillian vocal tuning experiment 'Billie's Bounce' and the politicised rant-poem 'Born Again Cretin', about the imprisonment of Nelson Mandela.

“I was invited to go for a week just to record the actual process of my working. Of things like that which I've seen, for example on painters, with the honorable exception of Picasso who worked on a piece of glass, people tend to cheat a bit and do an actual finished performance in front of the cameras. But I thought "If they really want to see how I work before I know what I'm doing, then that's what they're going to get and if during that week something comes out of it, then it will do, but if it doesn't then that will be more honest." I deliberately went in there and improvised what I was doing as well as how I did it. The point wasn't to have a finished result that could be listened to, the point was to see a process. It's only in retrospect that I can see that bits of some of them have some kind of coherence”. Robert Wyatt

Recorded for Un Certo Discorso, a Rai Radiotre programme by Pasquale Santoli with Francesca Albini, Teresa De Santis and Sabina Sacchi
Rome, sala M, Centro di Produzione Radio Roma, February 16-20, 1981