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Felix Kubin
Takt der Arbeit

electronic
Editions Mego, 2017

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vinyl:24,45€
in stock
cat. no: emego243
EAN: 5050580677593
format : 12"LP
number of discs : 1
packaging : singlefold


no. title play mp3
  A)
1 Musik FÜR Neue Büromaschinen
2 Geburt Eines Schiffes
B):
1 Martial Arts
2 Uhren


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https://youtube.com/playlist?list=OLAK5uy_l_cbsYssBhpgwYlqYRexhT5xHtPk886Gw

2025 repress

Felix Kubin (org, electr,sampler)
Miłosz Pękala (vib, xyl, sampler, perc, effects)
Magdalena Kordylasińska (mar, perc, effects)
Hubert Zemler (glsp, dr, perc)

Music composed by Felix Kubin, tracks A1+2 together with Miłosz, Magda and Hubert.

The pieces are soundtracks to educational and industrial 16mm films dealing with the subject of "work".

They were commissioned by NDR das neue werk (North German Radio).

Recording engineer: Robert Migas, Black Kiss Studio, Warsaw
Mix: Tobias Levin, Electric Avenue Studio, Hamburg
Mastering: Rashad Becker, D&M, Berlin
Production: Felix Kubin

Film archive: Metropolis Kino, Hamburg
NDR editorial department: Dr. Richard Armbruster

Artwork: Stephen O'Malley

Originally developed as a film score "Takt der Arbeit" is inspired by a handful of industrial and instructional films from the early 1960's until the early 1990's that portrait different forms of work. Felix Kubin is translating these historic documents into a musical poem of conceptual depth. "Takt der Arbeit" - the beat of work - is not only serving as a title but also as constructive element in this endeavour.

Being hunted down by the ever accelerated pulse of our reality is an omnipresent issue in capitalist societies of the the Western world. Living in times of constant exhaustion, it's not only our bodies that have been disciplined by and synchronized to the rhythms of working processes, but also our minds that rage in the tempo of our surroundings. Following an almost analytical effort, Kubin and an ensemble of 3 percussionists are investigating the different qualities and intensities of time that are catalyzed in working processes. While picking up precise temporal and motoric motives of the films, condensing paces and excavating rhythmic patterns, the ensemble is mapping out an animist choreography, shifti
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