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El Hijo
Las Otras Vidas

avant-pop/ postrock
Acuarela, 2007

Czas trwania: 47:38

Średnia ocena klientów: -    oceń

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CD : 53,90 zł
W magazynie: na stanie
Nr kat.: nois1077
format : CD
liczba nośników : 1
Opakowanie : plastik


nr tytuł play mp3
1 Saturnalia
2 1000 cometas
3 Los reyes que traigo
4 Vals de los besos
5 Conmigo a tu vera
6 Bosques son
7 Mirando atrás
8 En medio del llano
9 Cabalgar


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El Hijo ("The Son") is Abel Hernández, whose sheltering voice used to appear on Migala, possibly the best Spanish indie band of the last 10 years. Now, after a couple of EPs Abel has written nine notes full of folk, country and pop sung in Spanish that thrive in a personal songwriting coming from both his emotional and musical roots. Las otras vidas (The other lives) is an enchanted tapestry where knights ride miles of moor to know who they are, where love is finally gonna be fruitful and the
horizon seems to be moving further away. Far from Migala's dregs of American tradition or instrumental post-rock, El Hijo is a glance at the gone days.


Across hurled paint, slanted clothes, forgotten tales. Abel Hernández swims through a sea of ink and reflected lamp light at the daybreak. Time has told him magic pours from what's left when we keep our eyes closed. The end of Migala woke Abel up again. The band he was singing and playing guitar in for almost a decade was over, and now, he had room for his deepest secrets, time to take his own opportunities and make his own decisions. 'Cause that's what El Hijo is all about: Abel making his own
decisions. He now sings with a little help from his friends, including Raül 'Refree' Fernandez as a producer and musician, Kieran Stephen (ex-Migala, ex-Los PLanetas) on bass and Xavier Molero on drums. La piel del oso were El Hijo's first five songs. Like light floating on air, words entered a world of images, covered by a sculpture of string and brass. Last year saw the release of Canciones gringas, a collection of Spanish sung versions of American all-time-classics previously inked by Jackson Browne, Michasel Penn, Jackson C. Frank and Bob Dylan. Although both title and song selection showed reverence to certain musicians and models of North American rooted folk-rock highlighting the value of these four songs was intimately bound to the exhilarating narration/interpretation game and the final result
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