limited edition 350 copies

Electric Guitar – Tetuzi Akiyama
Reeds – Masahiko Okura
Trumpet – Franz Hautzinger

Recorded at Tanker, Tokio on 29.Nov.04

Limitowana edycja 350 egzemplarzy wydanych w eleganckich tekturowych opakowaniach.

Two CDs of each three players from one musical corner: improvisation. Like Musica Genera, the likewise Polish label Monotype, is specialized in improvised music. The first disc is by Michel Doneda (sopranino, soprano saxophone), Olivier Toulemonde (amplified objects) and Nicolas Desmarchelier (acoustic guitar). Its a recording from 2005, divided in seven parts. This is hardcore improvisation. Lots of objects are being rubbed, touched, scratched to form high end tones, shrieking sounds of objects in danger. This is music that requires ones full attention, even when there is hardly a single second of silence. All of the instruments are used as objects, rather than as instruments. The saxophone may still sound like a saxophone, but the guitar is a resonating body to produce sounds with. Definitely not easy listening, but one to make your hair stand up.
Franz Hautzinger (quartertone trumpet), Ahiko Okura (reeds) and Tetuzi Akiyama (tape delayed electric guitar) have a recording from 2004, from Tokyo and compared to the previous one, this is a more 'relaxed' work. All instruments sound at times like they are supposed to. We hear a guitar! We hear wind instruments. But this trio cleverly combines that more or less old fashioned way of improvising with some of the 'newer' techniques to treat instruments as objects that are capable of producing any kind of sound. For some reason or the other which I am not exactly can point out, this all sounds a bit more easy to access than the Doneda et al release. Not just high pitched sounds, shrieking and terrifying the objects, but with some more deeper end towards the low end sounds. Both of these discs require ones full attention, but both of them are highly rewarding musical improvisations.
Frans de Waard [Vital Weekly, #711, 29.12.2009]


Soft set from 2004, Akiyama in quiet, semi-melodic mode, .......
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