Peter Broderick w ciągu jednego roku wyrósł na światowej klasy, szanowanego muzyka i kompozytora. Poza solowymi projektami chętnie wchodzi w kolaboracje z twórcami o różnych orientacjach muzycznych, jak np. Machinefabrik. Niniejszy album to muzyka, którą Broderick skomponował do tanecznego przedstawienia "Falling From Trees" grupy Neon Productions, którym przewodniczy londyńska artystka-choreograf Adrienne Hart.
Boomkat:
By now, Peter Broderick's credentials need no repeating; his solo albums have quickly become among the most respected in the recent modern classical canon, but his talents stretch far beyond that, venturing into singer-songwriter genres for his Type/Bella Union outing Home, and stretching further beyond that for his contributions to the output of Danish post-rock band Efterklang. This latest set of recordings comes from Broderick's score for a modern dance piece, commissioned by London-based choreographer Adrienne Hart of Neon Productions. The brief demanded a piano and strings-based score, and so Broderick sticks diligently to these instructions, creating a sublime thirty-minute piece divided into seven sections. In keeping with works such as Float, Music For Falling From Trees is an album characterised by a languid, supine beauty that drips effortlessly from Broderick's rich, melancholy arrangements. As modern composition goes this is all unabashedly under the thrall of romanticism, yet by no means is i t a one-dimensional affair: after the drifting loveliness of the first two parts, Broderick engages with a brisk, staccato section for 'Part 3: Pill Induced Slumber', giving a first real indication of how the composer's agenda has been shaped by the quintessentially kinetic realm of choreography. The piece develops into a wild and noisy affair, revealing a real sense of energy and a brief glimpse of an anarchic streak as the music slips momentarily into discordance. Elsewhere Broderick dabbles in otherworldly drone on ....... więcej