700 copies limited edition

NEW SERIES FRAMEWORK
An extension of our CONCRETE ELECTRONICS NOISE,
a brand new mix-up of unusual conceptions of sound material by young unknown composers, well known not-so-young composers and old but clever composers.

Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings.
To second the machines he likes to move various glasses,
or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical activist,
Petit has celebrated his 25th year of sharing his musical passions as the man behind the cult labels Pandemonium Rdz. and BiP_HOp. Petit has assembled what people call a dream-team of collaborators, working with: Lydia Lunch, Foetus, Murcof, Kumo, Eugene Robinson (Oxbow), Cosey Fanni Tutti, My Brightest Diamond, Sybarite, Pantaleimon, Graham Lewis (Wire), Barry Adamson, Scanner, Mira Calix, Kammerflimmer Kollektief, Guapo, Leafcutter John, James Johnston, Simon Fisher Turner, Justin Broadrick and many more...
http://philippepetit.weebly.com/

Vultures Quartet started as a discussion that led to a noise making venture which has taken on it's own life and is carrying us with it. The musicians involved come from industrial, jazz, improv, rock, classical, and various goth style backgrounds. We never know where Vultures is going to take us, but we are unbelievably excited to see how various combinations of these influences will manifestthemselves into new, exciting sounds with which we hope we can entertain and inspire others to do the same!
www.myspace.com/justvultures