Michał Fundowicz (Nowamuzyka.pl):
"(...) Dźwiękowy dialog culture of un odbywa się na granicy wyrafinowania i nieokrzesania. Nie brakuje godnej podziwu erudycji, jak też zuchwałych prób wymyślania muzyki od nowa. Czujne reakcje i interakcje (...)"

The tempered tonalities of Abraham's piano mesh with the atonalities of Brown's prepared guitar and utensils. Through concentrated listening and the implementation of conventional and extended instrumental techniques the resultant tones and textures pull at and morph into each other creating a mysterious sonic world, half here, half there.
With combined extensive histories in jazz, improvisation, pop and rock music Chris Abrahams and David Brown together are: 'culture of un'

REVIEWS
Now here I find myself puzzled and pleasantly confused. A down-under duo of piano (played by Chris Abrahams) and prepared acoustic guitar and prepared semi-acoustic guitar (played by David Brown). I could take this down to Dolf Mulder, as it sounds at times pretty jazz like, but there is something very captivating about it. Their acoustic approach seems amplified, sometimes lingering on the verge of feedback (only slightly though), and when their playing is conventional, like playing the keys of the piano, it sounds jazz but not in a way I have encountered before. On top of that the prepared guitar sounds most of the time as a percussion instrument, with objects placed on top like a cymbal. Strange tonal textures arrive and in every way this is an odd record. Improvised music of course, but in an odd way also jazz or pop like. Small melodies are used, every now and then, such in 'Porpoise To One Side', but with those strange acoustic approaches on top of that. As said this is all very captivating to hear. Chris Abrahams never lets me down, it seems. All of his releases are wonderful, and this one is no exce.......
więcej