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Start off by dispelling any outmoded notions about taking things at face value – sometimes a DJ is not just a DJ, a record is not a record, and a turntable is more than a record player. These are the basic tenets with which to enter the world of Christian Marclay’s djTRIO, especially in the case of their live recordings.

World-renowned multi-media artist Christian Marclay may be best known these days for his globally embraced film collage piece “The Clock,” but he began by redefining the roles of “musician,” “DJ,” and even “artist” itself. Since the late ‘70s, Marclay has created art by masterfully mistreating both vinyl and phonographic equipment, using them both in a manner more consistent with the way an abstract sculptor employs raw materials in the service of a larger vision. He was one of the earliest musicians to make an art form out of the turntable, using the device as a tool to make surprising juxtapositions. Sometimes these sonic journeys utilizing a turntable as a sextant have been in-the-moment experiences and sometimes they’ve been captured for posterity, but this album happens to be both. The four untitled tracks on the album (with a fifth track available as part of the free download included with the purchase) are an aural document of a September 21, 2002 performance at Washington D.C.’s Hirshhorn Museum, in which Marclay was accompanied by two fellow travelers, Toshio Kajiwara and DJ Olive. Together, the three turntablists turned the museum’s auditorium into a combination laboratory/playground/dreamscape, in which the three men manipulated mixers, decks, and vinyl to create a sometimes funny, sometimes fearsome, endlessly exploratory kind of collective audio hallucination.

Through all manner of electronic and manual machinations, Marclay, Kajiwara, and Olive move through a dizzying array of moods and modes over the course of these five i.......
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