Side A (18:16)
Opening 1:53
SOL 6:17
Free Goat of Leviticus 8:13
Annex Axe 2:33

Side B (20:53)
Dragon Owl Didacticism 8:45
Working Tools for Praxis 12:08

Side C (17:74)
Dry Love 3:13
Free Eyes 4:18
Freermasonry 10:43

Side D (16:01)
Concordant Body 16:01

Fortress Crookedjaw: poetry, discourse, composition, bass, devices, synth, and vocals
Obey: guitar on SOL and Free Eyes
Acrimonia: guitar, additional compositional work, and programming on Annex Axe

recorded in Regina, Moose Jaw, London, and Providence
produced, mixed, and mastered by Wold
visual art by S.F.J. Nicholl
concept by Wold
design by Stephen F. O'Malley

Freermasonry

Angle process has been severed,
I wait with the goat’s secret.

Maul crushes skull
On tiled ground.

Eigenheit; sky-eyed willful one,
Outside of them.

Statement from the Wold communique sent out following the completion of Freermasonry:

“Lyrically Freermasonry: consist of a series of poems and discourses. Early on in Freermasonry during SOL, the Mother allusion is referenced out of Faust Part Two. It’s a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dark force and will, but reared in a potent lie. I use it in correlation with screech owl as atheistic reactionary sentiment. Of course there are many other aspects toFreermasonry:"
—Fortress Crookedjaw

“This is all to say that Freermasonry:— the obliterative sixth album from Wold.......
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