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JAN JELINEK
Loop-Finding-Jazz-Records

elektronika
Faitiche, 2017

Czas trwania: 65:35

Średnia ocena klientów: -    oceń

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winyl : 146,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: faitback01
EAN: 880918227009
download code : tak
format : 2x12"LP
kolor : czarny
liczba nośników : 2
opakowanie : singlefold


nr tytuł play mp3
1 Moiré (Piano Organ) 6:54
2 Rock In The Videoage 8:03
3 They, Them 7:20
4 Them, Their 5:06
5 Tendency 7:21
6 Moiré (Strings) 6:25
7 Do Dekor 5:34
8 Drift 5:09
9 Moiré (Guitar & Horns) 6:37
10 Poren 6:49


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https://www.youtube.com/watch?v=6hIgBEXuQD8

Faitiche presents a long-lost album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the album is available again on CD and vinyl with two bonus tracks (B-sides from the Tendency EP, 2000 // Moiré (Guitar & Horns) + Poren).
What the press said about Loop-Finding-Jazz-Records: “Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iD
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