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JONI VOID
SELFLESS

awangarda/ elektronika
Constellation, 2017

Średnia ocena klientów: -    oceń

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CD : 76,90 zł
W magazynie: BRAK
Szac. dostępność:
Tydzień ?
Nr kat.: CST125-2
EAN: 666561012526
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 131,90 zł
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EAN: 666561012519
download code : tak
format : 12"LP
gramatura : 180 gram
kolor : czarny
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nr tytuł play mp3
1 Song Siènne 05:40
2 Observer (Natalie's Song) 03:26
3 Doppler 02:00
4 Empathy (Ayuko's Song) 04:08
5 Aesthetics of Disappearance 04:05
6 Désolé (Pardon the Interruption) 01:00
7 Cinema Without People 04:45
8 Yung Werther (Ogun's Song) 05:40
9 Abjection 04:29
10 Disassociation (Kyla's Song) 05:02
11 Agnosia 04:50
12 Deaf (No More Songs) 01:00


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https://soundcloud.com/constellation-records/joni-void-song-sienne

https://soundcloud.com/constellation-records/joni-void-empathy-ayukos-song

Joni Void is the newly minted pseudonym of producer Jean Cousin – known previously in the Soundcloud, Bandcamp and other online communities as Johnny Ripper. A self-taught musician making tracks since he was 14 years old and living in Lille, France, Cousin moved to Montréal in 2012 to pursue Film Studies. He plunged into the city’s fertile DIY/loft scene and in a spirited transformation, evolved from cloistered bedroom/virtual persona to highly engaged organizer and performer. Cousin has self-released a cavalcade of original albums and remixes since 2011; Selfless is his debut release on a record label.

Cousin’s earliest records, made as a teenager, combine piano and field recordings, inspired by the film soundtracks of Jon Brion, Philip Glass and Yann Tiersen and the sample worlds as Boards Of Canada, The Books, Four Tet and Burial. An increasing obsession with micro-sampling, aleatory composition, history of cinema and the techniques of foley and film sound editing – along with an increasingly active practice of remixing and beat-making – has seen Cousin’s music flourish in fascinating ways. Perhaps most importantly, Cousin now constructs his tracks entirely from found sources and aims not to ‘play’ anything at all. His personal hero Delia Derbyshire (White Noise; the early years of the BBC Radiophonic Workshop) cemented his commitment to making musique concrète avant-pop inspired by these analog tape-based pioneers (albeit now utilising today’s more accessible digital tools).

Selfless is an exploration of catharsis and the escape from entrapments of subjectivity and solipsism, guided by Cousin’s renunciation of any ‘original’ playing or recording of his own, while celebrating intimate community and inter-subjectivity through solicitation of private voice recordings from close friends: Natalie Reid recites her own poem on the hypnotic “Observer (Natal
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