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Masayoshi Fujita
Stories

ambient/ poważna
Erased Tapes, 2018

Czas trwania: 48:04

Średnia ocena klientów: -    oceń

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CD : 59,90 zł
dostępność:
ok. miesiąca
format : CD
liczba nośników : 1
Opakowanie : kartonowy ecopack
winyl : 79,90 zł
na stanie
format : 12"LP
liczba nośników : 1
 


nr tytuł play mp3
1 deers 5:14
2 snow storm 6:17
3 cloud 5:46
4 story of forest 6:01
5 story of waterfall i.&ii. 11:28
6 swan and morning dews 4:16
7 river 5:15
8 memories of the wind 3:47


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https://youtu.be/OXOpQLpXnHM



Ahead of the release of his new album Book Of Life, Erased Tapes will re-issue Stories, the first in a trilogy of vibraphone solo albums by Berlin-based composer Masayoshi Fujita. This quietly exquisite album is like a book of illustrations, evoking scenes of natural beauty and poetic poignancy that combines climactic crescendos laced with electronic detail and luxurious melody.

Stories is the beginning of Masayoshi’s mission in bringing the vibraphone — a relatively new invention in the history of instruments often kept in the background in orchestras and jazz outfits — into the spotlight. Having trained as a drummer, Masayoshi began experimenting with the vibraphone, preparing its bars with kitchen foil or beads, playing it with the cello bow or using the other end of the mallets to create a more ambient texture of sound. Focussing on the vibraphone in this way sets Masayoshi apart, dedicating his artistic life to celebrating this fascinating and often under appreciated instrument and making his take on ambient and modern compositional styles a unique one.

“I think the vibraphone is capable of more interesting and beautiful sounds that haven’t been heard before. It’s quite a new instrument but it’s often played in a similar way. I feel that there is a lot more to explore with this exciting instrument.”
— Masayoshi Fujita

Masayoshi previously released two albums under his alias El Fog that touched on the vibraphone but appeared mostly in a supporting role, accompanying his intricate electronic production. Much like his instrument, he has often been a collaborator as opposed to a front man — his sympathetic musicianship complimenting a variety of creative outputs. Most frequently with the adventurous German producer Jan Jelinek. Their most recent offering Schaum displays a dialogue between the two that makes it hard to tell just where Fujit
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