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Keiji Haino
Jim O'Rourke
Oren Ambarchi
Caught in the dilemma of being made to choose

awangarda
Black Truffle, 2022

Średnia ocena klientów: -    oceń

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winyl : 207,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: BT097
EAN: 4250101439629
format : 2x12"LP
liczba nośników : 2
opakowanie : gatefold
Waga: 0.6 kg


nr tytuł play mp3
1 A Contradiction Has Started To Devour The Numerical Sequence We May Be Made Aware That Normal??? Exists Finally 22:34
2 Thinking Too Deeply I Skipped Over Three By Three 20:11
3 Caught In The Dilemma Of Being Made To Choose” This Makes The Modesty Which Should Never Been Closed Off Itself Continue To Ask Itself: "Ready Or Not?" 20:27
4 Overtightened The Screw Of The Password To Mystery Drowns In An Infinite Number 17:01


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https://orenambarchi.bandcamp.com/album/caught-in-the-dilemma-of-being-made-to-choose-this-makes-the-modesty-which-should-never-been-closed-off-itself-continue-to-ask-itself-ready-or-not

Cały tytuł tej płyty to:

“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?”



The renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan Buddhism.

The remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be fami
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