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Elegiac
Meet My Stalker

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UPP Records, 2025

Średnia ocena klientów: -    oceń

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winyl : 64,90 zł
W magazynie: BRAK
Szac. dostępność:
2 tygodnie ?
format : 12"EP
liczba nośników : 1


nr tytuł play mp3
  A
1 He Folds
2 Elegiac Boat
Side B
1 Meet My Stalker
2 Vancouver Slim


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https://youtube.com/playlist?list=OLAK5uy_l5u1k69yqRsg7qKm4g6I3XC58tJKti490

Ted Milton and Graham Lewis return as Elegiac with their second release – a four track EP inch titled “Meet My Stalker”. The pair of idiosyncratic sonic stylists, bullish outsiders with a Dadaist's ear for unexpected rhythms and ear-catching turns of phrase return showcasing a new track – the title of the EP - along with three bass heavy dubbed out no wave versions of tracks from their self titled debut LP.

Ted Milton is a prolific poet, with several volumes under his belt, as well as an avant-garde puppeteer. Yet he's probably best known as vocalist/saxophonist with psycho-funk afro punk fake no-wave pogo jazz trio Blurt. Milton's group has produced an impressive string of albums, not to mention his numerous solo recordings.

Meanwhile, Edvard Graham Lewis has a history of strong solo releases, both under his own name and as He Said. And of course, as bassist, lyricist and sometime vocalist with post punk innovators Wire, he's been responsible for numerous landmark releases, from 1977's Pink Flag, to 2003's Send, to 2020's Mind Hive.

Arranged, like the album, by electronic composer and sound artist Sam Britton whose sure touch pieces all the elements together. Kicking off with a stripped down driving shortened version of “He Folds” with its eerie honking sax and kraut like pulsating bass the perfect complement to Milton’s chorus echoing throughout. “Boat” is another album track beefed up with Milton’s chants backed by layered percussive blasts and squawking sax. “Meet My Stalker” makes its first appearance here with its infectious snarling looped bassline and Milton’s refrain “It’s a wind up”. Closing out with another album highlight an elongated version of “Vancouver Slim” all synth bleeps and ricocheting grumbling sax and hypnotic vocals. Punchy, idiosyncratic, packed with melody and groove, this second release is
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