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Trans Am
Futureworld

electronic/ postrock/ rock
Thrill Jockey,

total time: 47:48

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CD:13,74€
Out of stock
availability: up to a month ?
cat. no: THRILL062
format : CD
number of discs : 1
vinyl:18,28€
Out of stock
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cat. no: THRILL 062 LP
format : 12"LP
number of discs : 1
 


no. title play mp3
1 1999
2 Television Eyes
3 Futureworld
4 City In Flames
5 Am Rhein
6 Cocaine Computer
7 Runners Standing Still
8 Futureworld II
9 Positron
10 Sad And Young


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all songs written by Trans Am
except:
5 by Trans Am and Karaoke Hustler
6 by Trans Am and Jonathan Kreinik

Produced by Trans Am

Trans Am:
Philip Manley, Nathan Means, Sebastian Thomson

guests:
Julian Thomson - sax on 1, 6 and 10
Fred Erskine - trumpet on 6 and 10
Jonathan Kreinik - keys on 6 and 10

Info wydawcy:



As the rest of the world obsesses about a large visual change in our arbitrary time keeping system, Trans Am continues the evolution of rock music. On FUTUREWORLD, their fourth and most controversial album, they leave behind all the doomsday prophets and false futurists, bringing us a tough vision of what is to come. What they see is stark and uncompromising, melancholic but not without hope.



Forced out of their previous studio, the Bridge, Trans Am began construction on their new space, National Recording Studio, in the fall of 1998. Even though N.R.S. was still a work in progress, Trans Am had to bring their vision to the public. Thus, recording FUTUREWORLD began at the WGNS studios in Washington D.C. with sound engineer Jonathan Kreinik behind the board. The new material features some elements never heard before on a Trans Am recording: vocals and guest musicians. FUTUREWORLD was mixed in Plaintain Studios in New York with James Murphy. After this one week process Trans Am flew to Tenafly, N.J., to master with Alan Douches at West Side Sound.



While some see the future of music as parallel species undergoing convergent evolution towards commercial dance tracks, FUTUREWORLD shows Trans Am is a still adapt contemporary, and direct descendant of rock.

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