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ReR Megacorp, 2012

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no. title play mp3
1 The New Apothecary
2 Liquid Crystal (Bassoon: Frank "Ozzie" Gross)
3 La Trahison Des Clercs
4 Medusa
5 Moloch (Alto Saxophone: Titus Abbott)
6 CityGrid
7 GodsMills
8 Time Study
9 Small Is Large (Bass Clarinet: Titus Abbott)


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A collection of 5 songs and 4 instrumental pieces that explore equally - and simultaneously - spontaneous performance values, close compositional detail and extensive processing. Made out on the rocky coast of Maine with just a TV eye keeping tabs on a world skidding to hell in a handcart, all the basic work was done by MacLean and Cutler with Julie Thompson (voice) added later - alongside additional parts played by Frank Gross (bassoon), Michael Bierylo (laptop, samples, circuits) and Titus Abbot (bass clarinet and saxophone). These are complex, focused pieces, some highly rhythm-rooted - mostly at rapid bpm rates - generally wide open with a close receptivity to timbral nuance and non-linearity.

Henryk Palczewski (Ars2):
Studyjne spotkanie charyzmatycznych twórców awangardy rockowej oraz muzyki nowej. Pieśni i piosenki awangardy rockowej ze śpiewem Julie THOMPSON. Zawirowane improwizacje, konstrukcje i budowle dźwiękowe, dynamiczne szorstkie piosenki rockowe z ekspresyjnym pulsującym rytmem, zamglone awangardowe ilustracje impresyjne. Z małą pomocą: Frank GROSS (fagot), Michael BIERYLO (laptop, samplingi), Titus ABBOT (klarnet basowy, saksofon).

A collection of 5 songs and 4 instrumental pieces that explore equally - and simultaneously - spontaneous performance values, close compositional detail and extensive processing. Made out on the rocky coast of Maine with just a TV eye keeping tabs on a world skidding to hell in a handcart, all the basic work was done by MacLean and Cutler with Julie Thompson (voice) added later - alongside additional parts played by Frank Gross (bassoon), Michael Bierylo (laptop, samples, circuits) and Titus Abbot (bass clarinet and saxophone). These are complex, focused pieces, some highly rhythm-rooted - mostly at rapid bpm rates - generally wide open with a close receptivity to timbral nuance and non-linearity.

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