Reissue of Gil Evans' classic, controversial original album from 1974, in which his orchestra, which includes guitarist John Abercrombie, trumpeter Marvin C. Peterson and saxophonists David Sanborn and Billy Harper interpret nine Hendrix compositions. Includes the bonus tracks 'Little Wing' and alternate takes of 'Angel', 'Castles Made Of Sand', Up From The Skies' and 'Gypsy Eyes'.
· Gil Evans was to have recorded with Jimi Hendrix. The idea was to feature the Hendrix solo guitar and voice against the cushion of Evans' orchestrations, much in the manner of the Gil Evans-Miles Davis collaborations of the late 1940's and again in the 1950's. Denied the opportunity when the guitarist died in London a week before the preliminary meetings were set, Gil forged ahead with a whole concert of Hendrix compositions at Carnegie Hall, and, with the same young group, the sessions for this album.
· Evans told Rolling Stone magazine: "Stop and think about Hendrix' guitar work, about how difficult it was, and is, to play a guitar that way – the use, the correct use, of electronics. And yet for him it was the natural way. What I do is try to keep Jimi in mind when arranging his music. A very, very great guitar player."
· Gil Evans and Jimi Hendrix - a fusion of rock and jazz, working properly for once, each style drawing from the other. Gil was fond of saying that he looked for the "living spirit" in any music he heard. That spirit is here, alive and well, within these tracks.

Reissue of Gil Evans' classic, controversial original album from 1974, in which his orchestra, which includes guitarist John Abercrombie, trumpeter Marvin C. Peterson and saxophonists David Sanborn and Billy Harper interpret nine Hendrix compositions. Includes the bonus tracks 'Little Wing' and alternate takes of 'Angel', 'Castles Made Of Sand', Up From The Skies' and 'Gypsy Eyes'.
· Gil Evans was to have recorded with Jimi Hendrix. The idea was to feature the Hendrix solo guitar and voice against the cushion of Evans' orchestrations, much in the manner of the Gil Evans-Miles Davis collaborations of the late 1940's and again in the 1950's. Denied the opportunity when the guitarist died in London a week before the preliminary meetings were set, Gil forged ahead with a whole concert of Hendrix compositions at Carnegie Hall, and, with the same young group, the sessions for this album.
· Evans told Rolling Stone magazine: "Stop and think about Hendrix' guitar work, about how difficult it was, and is, to play a guitar that way – the use, the correct use, of electronics. And yet for him it was the natural way. What I do is try to keep Jimi in mind when arranging his music. A very, very great guitar player."
· Gil Evans and Jimi Hendrix - a fusion of rock and jazz, working properly for once, each style drawing from the other. Gil was fond of saying that he looked for the "living spirit" in any music he heard. That spirit is here, alive and well, within these tracks.