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Jyotsna Srikanth
Call Of Bangalore

folk/ethno
World Music Network, 2013

total time: 78:29

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CD:14,22€
Out of stock
availability: about a month ?
cat. no: TUG1072
EAN: 605633007220
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Varnam 6:52
2 Gopalaka Pahimam 12:28
3 Annapoorne 5:21
4 Brovabarama 39:40
5 Shobane 8:03
6 Thillana 6:06


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Explore the beauty of Jyotsna’s South Indian violin on this sensitively crafted collection of Carnatic music. Adept at playing in many styles, Jyotsna’s elastic approach imbues her classical playing with a fresh energy that summons listeners to discover the elegant musical traditions of her home; this is her Call Of Bangalore.



'Jyotsna Srikanth is an extraordinary and versatile violinist... free-flowing, often mesmerising'
4**** stars, The Guardian

'Accompanist or soloist, purist or adventurer, she is a major instrumentalist of vision and imagination' fRoots

'full of delicate ornamentation' 4****stars, The Evening Standard

Carnatic music from the south of India is renowned for its naturally melodic form. Jyotsna Srikanth’s music is woven through with this aesthetic; her artful violin soars in gāyaki style (as if sung), punctuated by percussionists Patri Satish Kumar and N. Amruth on mridangam (double-sided drum) and khanjira (tambourine) respectively.

Jyotsna hails from Bangalore, the capital of the state of Karnataka. Her music, like her home city, is full of eclecticism and revelling in the collision of old and new. On this album Jyotsna concentrates on a collection of Carnatic classical music showcasing works by some of its greatest composers. Yet via a host of other projects, Jyotsna is equally as likely to be found jamming with her fiddle in free jazz, folk fusion or even rock forms. This elasticity imbues her classical Carnatic playing with a fresh energy that summons listeners to discover the opulent musical history of her home; this is her Call Of Bangalore.

Jyotsna first began to play violin at the tender age of five. As a young child she was influenced by and in the company of greats. Kunnakudi Vaidyanathan, the classical violinist from Tamil Nadu, was an early inspiration and as a young musician she accom
.......
more

Explore the beauty of Jyotsna’s South Indian violin on this sensitively crafted collection of Carnatic music. Adept at playing in many styles, Jyotsna’s elastic approach imbues her classical playing with a fresh energy that summons listeners to discover the elegant musical traditions of her home; this is her Call Of Bangalore.



'Jyotsna Srikanth is an extraordinary and versatile violinist... free-flowing, often mesmerising'
4**** stars, The Guardian

'Accompanist or soloist, purist or adventurer, she is a major instrumentalist of vision and imagination' fRoots

'full of delicate ornamentation' 4****stars, The Evening Standard

Carnatic music from the south of India is renowned for its naturally melodic form. Jyotsna Srikanth’s music is woven through with this aesthetic; her artful violin soars in gāyaki style (as if sung), punctuated by percussionists Patri Satish Kumar and N. Amruth on mridangam (double-sided drum) and khanjira (tambourine) respectively.

Jyotsna hails from Bangalore, the capital of the state of Karnataka. Her music, like her home city, is full of eclecticism and revelling in the collision of old and new. On this album Jyotsna concentrates on a collection of Carnatic classical music showcasing works by some of its greatest composers. Yet via a host of other projects, Jyotsna is equally as likely to be found jamming with her fiddle in free jazz, folk fusion or even rock forms. This elasticity imbues her classical Carnatic playing with a fresh energy that summons listeners to discover the opulent musical history of her home; this is her Call Of Bangalore.

Jyotsna first began to play violin at the tender age of five. As a young child she was influenced by and in the company of greats. Kunnakudi Vaidyanathan, the classical violinist from Tamil Nadu, was an early inspiration and as a young musician she accom
.......
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