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ANGOLA SOUNDTRACK 2 (Hypnosis, Distortions & Other Sonic Innovations 1969-1978)

folk/ethno
Analog Africa, 2013

total time: 76:46

aver. mark: -    mark it!

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vinyl:33,23€
Out of stock
availability: about a month ?
cat. no: AALP 075
format : 2x12"LP
number of discs : 2
CD:20,63€
Out of stock
availability: about a month ?
cat. no: AACD 075
format : CD+book
number of discs : 1
packaging : digipack
 


no. title play mp3
1 Avante Juventude - Os Angos - Os Angos
2 Senhor Doutor - Quim Manuel - Quim Manuel
3 H'hoca - Tony Von - Tony Von
4 Kia Lomingo - Urbano De Castro - Urbano de Castro
5 Bina - Jovens Do Prenda - Jovens do Prendo
6 Mabele - Oscar Neves - Oscar Neves
7 Agarrem - Africa Ritmos - Africa Ritmos
8 Saudades De Luanda - Os Kiezos - Os Kiezos
9 Bongololo - Kito - Kito
10 N'Ga Kuna M'Butu - Muhongo - Muhongo
11 Lemba - Negoleiros Do Ritmo - Negoleiros Do Ritmo
12 Snipes - Dicanzas Do Prenda - Dicanzas Do Prenda
13 Bazooka - Carlo Lamartine - Carlo Lamartine
14 Divua Diami - Cisco - Cisco
15 Meca - Levis Vercky's - Levis Verckys
16 Chamavo - Elias Dia Kimuezo - Elisa Dia Kimuezo
17 Olha O Pica - Africa Ritmos - Africa Ritmos


  let me know when samples will be available
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Analog Africa No.15 – ANGOLA SOUNDTRACK 2
*Hypnosis, Distortions & Other Sonic Innovations 1969-1978*
Catalogue No. AACD 075 (1xCD)/AALP 075 (2xLP)
CD with 44-Page Booklet / LP with 16-Page LP Size Booklet

In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics’ Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc´s multi platinium record, "Good Things".

Many were surprised that the award was handed to a compilation that covered obscure music, but it didn’t surprise the team behind Analog Africa who believed such award should have come much earlier.

Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes:

"Listening to these tracks may cause addiction and provoke heavy rotation!"

The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda’s need for a live music scene. His self-designed “Kutonocas”, Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accomm
.......
more


Analog Africa No.15 – ANGOLA SOUNDTRACK 2
*Hypnosis, Distortions & Other Sonic Innovations 1969-1978*
Catalogue No. AACD 075 (1xCD)/AALP 075 (2xLP)
CD with 44-Page Booklet / LP with 16-Page LP Size Booklet

In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics’ Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc´s multi platinium record, "Good Things".

Many were surprised that the award was handed to a compilation that covered obscure music, but it didn’t surprise the team behind Analog Africa who believed such award should have come much earlier.

Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes:

"Listening to these tracks may cause addiction and provoke heavy rotation!"

The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda’s need for a live music scene. His self-designed “Kutonocas”, Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accomm
.......
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