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The Soft Pink Truth
WHY DO THE HEATHEN RAGE

electronic
Thrill Jockey, 2014

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CD:15,43€
Out of stock
availability: about a week ?
cat. no: THRILL 368
format : CD
number of discs : 1
packaging : ecopack
vinyl:18,28€
Out of stock
availability: about a week ?
cat. no: THRILL 368 LP
download code : yes
format : 12"LP
number of discs : 1
 


no. title play mp3
1 Invocation for Strength
2 Black Metal
3 Sadomatic Rites
4 Ready to Fuck
5 Satanic Black Devotion
6 Beholding the Throne of Might
7 Let There Be Ebola Frost
8 Buried by Time and Dust
9 Maniac
10 Grim and Frostbitten Gay Bar


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The Soft Pink Truth - Black Metal from Thrill Jockey Records on Vimeo.


The new album from The Soft Pink Truth (Drew Daniel of Matmos). The album features appearances from Antony Hegarty (Antony and the Johnsons), Terence Hannum (Locrian), Jenn Wasner (Wye Oak), M.C. Schmidt (Matmos), and Owen Gaertner (Horse Lords). The album takes songs by Venom, Beherit, Sarcofago, Sargeist, Darkthrone, An, Mayhem, Hellhammer, and Impaled Northern Moonforest and presents them as addictive house and techno anthems.

Deluxe LP version includes pink metallic foiling on cover, printed inner sleeve and free download card. CD version in 4 panel mini-LP style gatefold package with metallic pink printing.

The Soft Pink Truth is the solo alter ego of Drew Daniel, one half of celebrated Baltimore-based electronic duo Matmos. After a decade of silence in which Daniel concentrated on Matmos and becoming a Shakespeare professor, The Soft Pink Truth is set to release Why Do the Heathen Rage? whose subtitle “Electronic Profanations of Black Metal Classics” reveals its bizarre agenda as an unrequited love letter to a justly divisive genre. A gleeful queer travesty of black metal’s undying obsession with kvlt authenticity, Why Do the Heathen Rage? is also a formally precise homage executed with a scholar’s obsession. With the guitar chord transcription assistance of Owen Gardner (Teeth Mountain, Horse Lords) and a coven of guest vocalists, including Antony Hegarty and members of Locrian and Wye Oak, Daniel meticulously transposes the riffs, structures and patterns of black metal chestnuts and deep cuts by Darkthrone, Venom, Mayhem, Sarcofago and more into oddly hybrid new forms. Cruising camp absurdity by forcing a sticky tryst between the two mutually incongruous early 90s subcultures of rave and black metal, the results are bracingly strange on first listen, but curiously addictive as the album sinks in.

Imitating the countless black metal albums that begin with ominous intros, the album comme
.......
more

The new album from The Soft Pink Truth (Drew Daniel of Matmos). The album features appearances from Antony Hegarty (Antony and the Johnsons), Terence Hannum (Locrian), Jenn Wasner (Wye Oak), M.C. Schmidt (Matmos), and Owen Gaertner (Horse Lords). The album takes songs by Venom, Beherit, Sarcofago, Sargeist, Darkthrone, An, Mayhem, Hellhammer, and Impaled Northern Moonforest and presents them as addictive house and techno anthems.

Deluxe LP version includes pink metallic foiling on cover, printed inner sleeve and free download card. CD version in 4 panel mini-LP style gatefold package with metallic pink printing.

The Soft Pink Truth is the solo alter ego of Drew Daniel, one half of celebrated Baltimore-based electronic duo Matmos. After a decade of silence in which Daniel concentrated on Matmos and becoming a Shakespeare professor, The Soft Pink Truth is set to release Why Do the Heathen Rage? whose subtitle “Electronic Profanations of Black Metal Classics” reveals its bizarre agenda as an unrequited love letter to a justly divisive genre. A gleeful queer travesty of black metal’s undying obsession with kvlt authenticity, Why Do the Heathen Rage? is also a formally precise homage executed with a scholar’s obsession. With the guitar chord transcription assistance of Owen Gardner (Teeth Mountain, Horse Lords) and a coven of guest vocalists, including Antony Hegarty and members of Locrian and Wye Oak, Daniel meticulously transposes the riffs, structures and patterns of black metal chestnuts and deep cuts by Darkthrone, Venom, Mayhem, Sarcofago and more into oddly hybrid new forms. Cruising camp absurdity by forcing a sticky tryst between the two mutually incongruous early 90s subcultures of rave and black metal, the results are bracingly strange on first listen, but curiously addictive as the album sinks in.

Imitating the countless black metal albums that begin with ominous intros, the album comme
.......
more

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