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Ghedalia Tazartes
Rhys Chatham
Two Men In A Boat

avantgarde
Sub Rosa, 2021

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vinyl:18,99€
Out of stock
availability: about a month ?
cat. no: SRV520
EAN: 5411867335207
colour : transparent
format : 12"LP
number of discs : 1


no. title play mp3
  A) Jardin De Simone
1 Acte 1 8:16
2 Acte 2 6:51
3 Acte 3 3:19
4 Acte 4 5:30
B) Semaine Du Bizarre
1 Acte 1 10:30
2 Acte 2 4:23
3 Acte 3 4:22


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https://youtu.be/rJT8j2ELYvs
https://youtu.be/b5MgrhlJAW4
https://youtu.be/va9JgQ0NVH8

"The beauty of all this, as well as its sorrowful brutality, is even more powerful and stupefying since Ghédalia's sudden departure. Because retrospectively, not only is this recording the trace of a rare moment in a Parisian garden, it also summons a ghost, that of a loved one that is gone, and of his voice, which is fully alive here."

Tazartes and Chatham had met once in 1977 at CBGC's and had not seen each other since then when they were asked by their mutual agent to play a private show in Paris. This happened in September 2018 in a house with a garden where sax player Steve Lacy had lived back in the 1990s. This album presents the recording of this show plus another show at La semaine du bizarre festival in Montreuil, France a year later, mixed with a couple of studio sessions. This was probably the last music Tazartès, who died in February 2021, recorded. His unique singing blends perfectly with Chatham's loops on electric guitar, trumpet and flute.
credits
released November 5, 2021

Rhys Chatham
is a composer, guitarist, trumpet player and flutist from Manhattan, currently living in Paris, who altered the DNA of rock and created a new type of urban music by fusing the overtone-drenched minimalism of the early 60s with the relentless, elemental fury of the Ramones - the textural intricacies of the avant-garde colliding with the visceral punch of electric guitar-slinging punk rock. Starting with Guitar Trio in the 1970s and culminating with A Crimson Grail for 200 electric guitars in 2009, Chatham has been working for over 30 years to make use of armies of electric guitars in special tunings to merge the extended-time music of the sixties and seventies with serious hard rock. Parallel with his rock-influenced pieces, Chatham has been working with various brass configurations since 1982, and recently has developed a completely new approach to collaborations, improvised and compositional pieces involving trum
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