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Stephane Ginsburgh
Speaking Rzewski
Composer: Frederic Rzewski

avantgarde/ classical
Sub Rosa, 2021

total time: 77:44

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CD:12,82€
in stock
cat. no: SR523
EAN: 5411867115236
format : CD
number of discs : 1
packaging : digipack


no. title play mp3
1 De Profundis 31:35
2 America : A Poem 30:15
3 Dear Diary - 1. Stuporman 4:22
4 Dear Diary - 2. Names 3:01
5 Dear Diary - 3. No Good 2:05
6 Dear Diary - 4. Samson 2:22
7 Dear Diary - 5. Thanks 4:06


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https://youtu.be/iAfjJ9v2K3M
https://subrosalabel.bandcamp.com/album/speaking-rzewski-pieces-for-speaking-pianist-by-stephane-ginsburgh

"This album is the result of years of work and friendship with the composer. It started with De Profundis, a piece which has had a deep impact on me as a musician and a person, and ended with it. Frederic attended many of my performances of the piece, the last one during our last public concert together in early 2020 in Brussels. In the meantime, he wrote Dear Diary (2014) and America: A Poem (2020) for me which were both premiered at ARS MUSICA festival. I am very happy to present these pieces to you on this new and special album coming out on Sub Rosa. (STEPHANE GINSBURGH)

Frederic Rzewski (1938-2021)
Frederic Rzewski was born in Westfield/Massachusetts in 1938.
He had his first piano lessons at the age of three and began composing music at a very early age. He initially studied piano with Charles Mackey in Springfield and went on to study composition with Walter Piston (orchestration) and Randall Thompson at Harvard University and with Roger Sessions and Milton Babbitt at Princeton University, where he also took courses in philosophy and Greek. A Fulbright-Scholarship enabled him to study with Luigi Dallapiccola in Florence in 1960/61. His musical collaboration with Dallapiccola marked the beginning of his career as a pianist for contemporary piano music. His friendship with Christian Wolff and David Behrman and his acquaintance with John Cage and David Tudor influenced his development, both as a composer and as a pianist. During the 1960s, Rzewski taught and took part in the first performances of Karlheinz Stockhausen's 'Klavierstück X' (1962) and 'Plus Minus' (1964). From 1977 to 2003, he was a professor for composition at the Conservatoire Royal in Liège/Belgium. He also taught at various other universities, among them Yale University, the California Institute of the Arts and the Berlin University of the Arts. Through the live electronics ensemble Musica Elettronica Viva, founded by Rzewski together with Alvin Curran and Richa
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