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Dionysos Now!
Willaert: Adriano 6

classical
Evil Penguin, 2025

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CD:16,38€
Out of stock
availability: about a month ?
cat. no: EPRC0075
EAN: 0608917726220
format : CD
number of discs : 1
packaging : ecopack


no. title play mp3
1 Adriaen Willaert: Qual dolcezza giamai 04:26
2 Adriaen Willaert: Amor mi fa morire 02:42
3 Adriaen Willaert: Signora dolce io te vorrei parlare 01:23
4 Adriaen Willaert: Qual più diversa e nova cosa 03:00
5 Adriaen Willaert: Ave Maria 03:27
6 Adriaen Willaert: Missa Laudate DeumKyrie 03:50
7 Adriaen Willaert: Missa Laudate DeumGloria 06:00
8 Adriaen Willaert: Missa Laudate DeumCredo 09:59
9 Adriaen Willaert: Missa Laudate DeumSanctus 06:08
10 Adriaen Willaert: Missa Laudate DeumAgnus Dei 04:52
11 Adriaen Willaert: Videns Dominus 03:00
12 Adriaen Willaert: Ecce Dominus veniet 03:02


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https://youtube.com/playlist?list=OLAK5uy_lkoM0c3ouGCSPy0EsbfMZ3pecWUTK_CRQ

muzycy:
Ensemble Dionysos Now!
Tore Tom Denys: tenor, direction

Editor's Info
Sixth volume of the commendable series devoted by Dionysos Now! To the figure of Adrian Willaert
The centerpiece of this recording is the Missa Laudate Deum, a so-called parody mass based on Johannes Mouton’s motet
This remarkable mass showcases Willaert’s masterful command of polyphony and serves as an homage to his mentor.
In addition to the mass, the album features a selection of Willaert’s madrigals and motets.
These dramatic madrigals highlight Willaert’s sensitivity to text interpretation and his contribution to new musical forms

The album Adriano 6 by Dionysos Now! Pays tribute to Adriaen Willaert (1490–1562). The centerpiece of this recording is the Missa Laudate Deum, a so-called parody mass based on Johannes Mouton’s motet of the same name. This remarkable mass showcases Willaert’s masterful command of polyphony and serves as an homage to his mentor. The Missa Laudate Deum comes from the rare Liber quinque missarum (1536), a collection of five masses where Willaert demonstrates his refined continuation of the Parisian School. By integrating Mouton’s hymn of praise with his own innovations, Willaert created a masterpiece that remains a milestone in the history of mass composition.
In addition to the mass, the album features a selection of Willaert’s madrigals and motets. Works like Qual dolcezza gamai and Amor mi fa morire reveal his ability to merge expressive text with intricate music. Inspired by poets such as Dragonetto Bonifacio, these dramatic madrigals highlight Willaert’s sensitivity to text interpretation and his contribution to new musical forms. Motets like Videns Dominus and Ecce Dominus veniet stand out for their profound emotion and technical brilliance.

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