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Masayoshi Fujita
Book Of Life

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Erased Tapes, 2018

Czas trwania: 49:44

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CD : 59,90 zł
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nr tytuł play mp3
1 snowy night tale 5:34
2 fog 4:25
3 it's magical 4:24
4 old automation 5:54
5 book of life 4:35
6 harp 6:26
7 mountain deer 4:32
8 sadness 4:42
9 misty avalanche 4:03
10 cloud of light 5:09


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https://youtu.be/lzJbyHRlxhs

Following on from his acclaimed works Stories and Apologues, Berlin-based composer and vibraphonist Masayoshi Fujita will release his new album Book of Life, the third instalment in a trilogy of solo vibraphone recordings, on July 27th via Erased Tapes. Stories, the first in the series and Masayoshi’s debut under his own name, will be re-issued by Erased Tapes at the same time.

With Book of Life Masayoshi continues his mission in bringing the vibraphone — a relatively new invention in the history of instruments often kept in the background in orchestras and jazz outfits — into the spotlight. Having trained as a drummer, Masayoshi began experimenting with the vibraphone, preparing its bars with kitchen foil or beads, playing it with the cello bow such as in Fog or using the other end of the mallets to create a more ambient texture of sound, as with the title track. Focussing on the vibraphone in this way sets Masayoshi apart, dedicating his artistic life to celebrating this fascinating and often under appreciated instrument and making his take on ambient and modern compositional styles a unique one.

“I think the vibraphone is capable of more interesting and beautiful sounds that haven’t been heard before. It’s quite a new instrument but it’s often played in a similar way. I feel that there is a lot more to explore with this exciting instrument.”
— Masayoshi Fujita

Book of Life sees Masayoshi expand on his compositional skills, bringing in more orchestral elements such as strings, flute and even a choir to interact with the vibraphone. And not just any choir — members of this chorus include musical friends Peter Broderick, Hatis Noit, David Allred and Shards who featured on Nils Frahm’s latest album All Melody. The instruments come to represent characters in Masayoshi’s stories, hinted at in each accompanying text contained in the album booklet,
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