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Eliane Radigue
Frederic Blondy
Occam XXV

ambient/ poważna
Organ Reframed, 2022

Czas trwania: 44:30

Średnia ocena klientów: -    oceń

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CD : 68,90 zł
dostępność:
ok. miesiąca
Nr kat.: OR1CD
EAN: 5050580758551
format : CD
liczba nośników : 1
Opakowanie : digipack


nr tytuł play mp3
1 Occam XXV 44:30


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https://youtu.be/4jdHIHzvhkQ
https://youtu.be/Aioj8Om2cVU

Composed by Éliane Radigue. Performed by Frédéric Blondy. Commissioned by Organ Reframed, curated by Claire M Singer. Recorded on 8 January 2020 by Daniel Halford at Union Chapel on the organ built by 'Father' Henry Willis, 1877.

Mastered by Denis Blackham at Skye Mastering.

Distributed by Touch.

Cover organ photography: Daniela Sbrisny.

Designed by Philip Marshall, Berlin, June 2021.

This commission was generously supported by Arts Council England, the London Community Foundation/Cockayne, PRS Foundation and SACEM.



In 2018 Organ Reframed commissioned Éliane Radigue to write her first work for organ, 'Occam Ocean XXV'. Radigue worked closely with organist Frédéric Blondy at the Église Saint Merry in Paris before transferring the piece to Union Chapel for its premiere at Organ Reframed on 13 October 2018. The recording on this compact disc was made at a private session at Union Chapel on 8 January 2020.

'Occam XXV' inaugurates the very special record series of works exclusively commissioned by Organ Reframed, the organ-only, one of a kind experimental music festival, carefully curated by Scottish composer/performer and London's Union Chapel organ music director Claire M Singer.

Paris-born Éliane Radigue is one of the most innovative and influential living composers of all time. After working under Pierre Schaeffer and Pierre Henry in the late 1950's/early 60's she mainly worked with tape before developing a deep relationship with modular synthesis in the early 1970's. Over the next three decades she pushed her own conceptions of musicality forward developing a deep relationship with her ARP 2500. Through endless exploration and drawing on her personal journey as a practicing Buddhist she created an entirely new landscape of experimental sound. In the early 2000's she made an extraordinary shift into writing predominantly for acousti
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